Books

Magazine

Topics

diaphanes Berlin

Info

Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

User account

Art

Around a sculpture by Alberto Giacometti

Georges Didi-Huberman, Mira Fliescher (ed.), ...

The Cube and the Face

Does this buried or lost face have a name?

The Cube, as we can see, isn’t one. It is an irregular polyhedron which catalogues describe as having twelve sides — that nice figure, twelve, a destinal figure if ever there was one, which willfully evokes Mallarmé’s throw of the dice, at the very moment that the clock strikes twelve at midnight, in the dark house of Igitur. One can imagine that Giacometti wanted to give a unique volume to the twelve facets — six and six — of two cubes added together: a unique architecture...

art theory
Alberto Giacometti
face
art history
abstract art

Current Texts

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
ACCESS

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
ACCESS

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
ACCESS

Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
ACCESS DE

Current Texts

Manuel Franquelo

Pioneering!

"Trying to compete in the economy of attention from the field of contemporary art is a naive goal in the twenty-first century."

OPEN
ACCESS DE

Current Texts

Artur Zmijewski

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

OPEN
ACCESS DE

concentration camp
migration
documenta
National Socialism
ethics
gift
contemporary art
political aesthetics
Poland
propaganda

Magazine Online

News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

THINK ART? THINK ART!

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Monograph

Über das Denken der Kunst

Von der Kunst als Forschung und der Forschung als Kunst ist spätestens seit den 1990er Jahren die Rede. Das Konzept sucht die Künste und Wissenschaften in ihrer Arbeitsweise einander anzunähern, doch wird dabei kaum die Frage gestellt, welche Art von Wissen die Künste im Unterschied zu den Wissenschaften hervorbringen. Dieter...

Dieter Mersch

Epistemologien des Ästhetischen

Anthology

Zur Kritik der Wirksamkeit in den Künsten

In den heutigen Praxistheorien spielen Dinge und ihre Materialität eine prominente Rolle. Dinge gelten als ausgesprochen wirkmächtig, insofern sie als...

Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)

Ausstellen

Topics

The Subject of Capitalism
- cognitive capital
- capitalism
- migration
- subjectification
Autofiction—Metafiction
- memory
- autofiction
- Theory of fiction
- fiction
- autobiography
Observing the Spectator
- mirror
- optical illusion
- gaze
- observer
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- color
- monochrome
- image and imagery
- semiotics and semiology
- chromatics / colour science

Current Texts

Donatien Grau, James Spooner

“Fuck that thing.” That’s all punk needs.

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’”

OPEN
ACCESS

Current Texts

»This is not my blood.«

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west?

OPEN
ACCESS

identity
performance art
human–animal communication
Video art

Current Texts

Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
ACCESS DE

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
ACCESS

When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

Books

Wiktoria Furrer, Carla Gabrí, ...: How to Teach Art?

Alena Lepishava (ed.), Zmicier Vishniou (ed.), ...: НЕТУТЭЙШЫЯ: REVERSION

Philippe Despoix (ed.), Siegfried Kracauer, ...: The Past's Threshold

Donatien Grau (ed.), Christoph Wiesner (ed.): After the Crisis

Sara Alonso Gómez (ed.), Isabel J. Piniella Grillet (ed.), ...: NO Rhetoric(s)

Skin marks us in the world

Eduardo Jorge de Oliveira

Invented Skins

First, before you invent a skin, you are born with a skin; second, you can make a skin when you have one.

You never know how many skins you have had by having a single skin. However, this skin has an inseparable memory of the future. Its vital movement depends on this dynamic that inserts it in a specific present. Thus, if skin makes us human, it is also a set of points that mark different ways of feeling. We feel the world through the fragility of our skin. Microorganisms exist in this skin. The most human portion also contains inhuman matter...