Books

Magazine

Topics

diaphanes Berlin

Info

Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

User account

Art

Capitalism sucks. Tag everything.

Dan-el Padilla Peralta

Junk Philology. An Anti-Commentary

it seemed like we’d just been in some horrible dream

whole blocks of avenues in all directions | The verse snaps tight around the dynamic contrast of geometric uniformity and omni-directional spread, with north-south avenue grids stretched across the crest of human sound. From solid blocks to liquid (“we got a drink”) to gas “(As if the fog lifted”): the metamorphosis of phase-states. But when I read BLOCKS, I hear Lil Wayne: “tha block is hot, tha block is hot… Dodging cops and burning blocks.” And I remember the boys...

OPEN
ACCESS

Current Texts

Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
ACCESS DE

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
ACCESS

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
ACCESS

When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

Current Texts

Manuel Franquelo

Pioneering!

"Trying to compete in the economy of attention from the field of contemporary art is a naive goal in the twenty-first century."

OPEN
ACCESS

Current Texts

Clémentine Deliss

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

OPEN
ACCESS

Africa
contemporary art
colonialism
museum
sculpture
colonial history

Magazine Online

News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

THINK ART? THINK ART!

Monograph

Studien zur Bildlichkeit des Films

Filmbetrachtung hat es zunächst mit materiellen Sichtbarkeiten zu tun, mit Bildern, die dem Blick gegeben sind, bevor sie zu erzählen...

Fabienne Liptay

Telling Images

Anthology

Zur Kritik der Wirksamkeit in den Künsten

In den heutigen Praxistheorien spielen Dinge und ihre Materialität eine prominente Rolle. Dinge gelten als ausgesprochen wirkmächtig, insofern sie als...

Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)

Ausstellen

Monograph

Über das Denken der Kunst

Von der Kunst als Forschung und der Forschung als Kunst ist spätestens seit den 1990er Jahren die Rede. Das Konzept sucht die Künste und Wissenschaften in ihrer Arbeitsweise einander anzunähern, doch wird dabei kaum die Frage gestellt, welche Art von Wissen die Künste im Unterschied zu den Wissenschaften hervorbringen. Dieter...

Dieter Mersch

Epistemologien des Ästhetischen

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Topics

Autofiction—Metafiction
- autofiction
- Theory of fiction
- autobiography
- memory
- fiction
The Subject of Capitalism
- subjectification
- capitalism
- cognitive capital
- migration
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- image and imagery
- semiotics and semiology
- monochrome
- color
- chromatics / colour science
Observing the Spectator
- optical illusion
- mirror
- gaze
- observer

Current Texts

Artur Zmijewski

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

OPEN
ACCESS DE

political aesthetics
ethics
contemporary art
propaganda
documenta
gift
migration
National Socialism
concentration camp
Poland

Current Texts

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

Current Texts

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
ACCESS

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
ACCESS

Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
ACCESS DE FR

Books

Mathilde Arnoux (ed.), Maria Bremer (ed.): Westkunst, 1981

Jens Andermann (ed.), Lisa Blackmore (ed.), ...: Natura: Environmental Aesthetics After Landscape

Antonin Artaud, Stephen Barber (ed.): “Here Lies” preceded by “The Indian Culture”

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Maria Zinfert (ed.): Kracauer. Photographic Archive

Yes, magic exists!

Antonin Artaud, Stephen Barber (ed.)

A Sinister Assassin

from myself / to myself / who is it that comes / and who is it that goes?

Antonin Artaud’s very last work, prior to his death in March 1948, is the most extraordinary element of his entire body of work – and is the element now most enduringly inspirational, for contemporary artists, filmmakers, musicians, writers, choreographers, and others inspired by Artaud – through its fiercely exploratory, extreme and combative forms, along with its dissolutions and negations of forms, focused above all on the human anatomy, as well as on sonic experimentation and on provocations for innovation in...

Modernism
autobiography
avant-garde
poetry
literature

Current Texts

Peter Ott

Around 2007 I had the idea of making a feature film about a German woman who is kidnapped in Iraq. It was supposed to be a chamber piece, shot on two intradiegetic cameras. ABO DE

Each showroom has a couple of “managers”.

Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him? ABO DE

Jean-Luc Nancy

Ζένοι και Zah και Zuh

αποξενωμένοι αποκλίνοντες από ποιο αόρατο οικείο; OPEN
ACCESS FR FA DE

Alexander García Düttmann

Can contemporary theatre recognize itself in the boxing ring so that its fist, the fist of the past, strikes a forceful and violent blow? ABO DE

Current Texts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

film
Evil
cinema
contemporary art
film d'auteur

Current Texts

Zoran Terzić

Everything new is a pose in the alcoves of capital

In the post-avant-garde era we’re all either in the vanguard or asleep in the lap of capital. In this sense everybody
is avant-garde—or nobody.

In the late nineteenth century Alfred Jarry created a prototype of the modern wannabe in his pot-bellied Père Ubu, a figure that raises entitlement to a high art. Ubu doesn’t want to be king; others urge him to it. But he is also the others. And when he does become king, CEO, or US president, he doesn’t know what it means, or if it means anything at all. He just states his claim. And so he shimmies from statement to power. And having obtained power, Ubu decerebrates the world, exposing the grounds for groundlessness, to paraphrase Ortega y Gasset. Ubu is a tautomaniac, that is, he can be explained in his own terms and is thus always in the right (being in the right is all he is). He needs no proof, but on the contrary wants “to turn the absurd into the highest power of thought” (Deleuze & Guattari)....

OPEN
ACCESS DE

Authors