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Art
About ‘how we treat the others’
Artur Zmijewski
Conversation on “Glimpse”
Glimpse shows us scenes filmed in various places. How long did you stay at these places? Was it already known that Calais would be cleared when you started the project?
We spent more than one month filming in Berlin, Calais, Grande-Synthe (the suburb of Dunkirk), and Paris. Yes, it was announced that the French administration was going to “clear” the Jungle in Calais. It was also quite obvious that refugees would be removed from the streets of Paris. Such places, like...
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Monograph
Around a sculpture by Alberto Giacometti
Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)
The Cube and the Face
Anthology
Zu einer Poetik des Seriellen
Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)
Noch einmal anders
Anthology
Zur Kritik der Wirksamkeit in den Künsten
Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)
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Jelili Atiku, Damian Christinger
Mama Say Make I Dey Go, She Dey My Back
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Political Reflections on Choreography, Dance and Protest
Oliver Marchart
Dancing Politics
The human body is the most important medium through which a public space is curved out of the social. Of course, this does not always have to occur in form of a militarized collective marching in-sync through the streets. Very often it is precisely the vulnerability of bodies which is used as a performative medium of protest (up to the extreme point where people decide to publicly set themselves on fire). Taking this word of caution into account, we may...
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Current Texts
Mehdi Belhaj Kacem, Philippe Sollers
Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era.
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