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Art
»Self-censorship is the worst.«
Lars von Trier in Conversation with Mehdi Belhaj Kacem & Raphaëlle Milone
We land in Copenhagen after only an hour’s sleep the previous night. We travel a long way by subway to a residential area on the edge of the city: large houses with gardens and woodland, almost no one around. We finally find the address we’ve been given. We approach the house through the garden, and we’re immediately in a film by Lars von Trier: a black limousine, a small shack that might be an office with a computer and piles...
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Current Texts
Monograph
Around a sculpture by Alberto Giacometti
Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)
The Cube and the Face
Anthology
Zur Kritik der Wirksamkeit in den Künsten
Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)
Ausstellen
Anthology
Zu einer Poetik des Seriellen
Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)
Noch einmal anders
Topics
Current Texts
Jelili Atiku, Damian Christinger
Mama Say Make I Dey Go, She Dey My Back
OPEN
ACCESS DE
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Current Texts
One plus one equals other
Dieter Mersch
Epistemologies of Aesthetics
We identified ‘showing’—rather than ‘saying’—as the primary self-manifestation of the aesthetic. By ‘showing’ and ‘manifestation’ we do not mean expression, but exhibition and exposition. Wherever works work only with aisthēta and relevance is drawn from perceptions or things and their materiality—from every nuance of coloring, from the way in which objects are framed or combined, from the position of a detail, from the interval between two notes and their microtonal succession or arrhythmic placement, from any hesitation of physical feeling,...
Current Texts
Mehdi Belhaj Kacem, Philippe Sollers
Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era.
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