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Matrices porteuses – Surrogacies

DIAPHANES Magazine No. 11

This issue explores practices of human and non-human substitution.

What claims the place of the nuclear family in the face of hybrid kinships and social freezing? What could new elective kinships be in times of chatbots and pseudonymisation? Is this the time for surrogate mother tongues and extra-human rhetorics of surrogation? Sophie Lewis claims a gestational communism and hunts our grannies. Barbara Vinken reflects on spiritual motherhood, Luciana Parisi on human automata and gendered proxies. For Zuzana Cela, language is a foreign body that can be invaginated. Werner Hamacher strolls...

body
gender
motherhood
contemporary art
mother figure

Current Texts

Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
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Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
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Current Texts

Manuel Franquelo

Pioneering!

"Trying to compete in the economy of attention from the field of contemporary art is a naive goal in the twenty-first century."

OPEN
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Current Texts

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

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THINK ART? THINK ART!

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Monograph

Studien zur Bildlichkeit des Films

Filmbetrachtung hat es zunächst mit materiellen Sichtbarkeiten zu tun, mit Bildern, die dem Blick gegeben sind, bevor sie zu erzählen...

Fabienne Liptay

Telling Images

Anthology

Zur Kritik der Wirksamkeit in den Künsten

In den heutigen Praxistheorien spielen Dinge und ihre Materialität eine prominente Rolle. Dinge gelten als ausgesprochen wirkmächtig, insofern sie als...

Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)

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Topics

The Subject of Capitalism
- migration
- cognitive capital
- capitalism
- subjectification
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- image and imagery
- semiotics and semiology
- color
- chromatics / colour science
- monochrome
Autofiction—Metafiction
- autobiography
- memory
- autofiction
- fiction
- Theory of fiction
Observing the Spectator
- observer
- mirror
- gaze
- optical illusion

Current Texts

Michele Pedrazzi

Il testo ignoto è una promessa

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

OPEN
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reading
time
music
electronic music
media theory

Current Texts

Dennis Cooper, Donatien Grau, ...

Sex creates love and love creates sex

“I don’t believe in progress, no.”

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philology
music

Current Texts

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
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Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Books

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Donatien Grau (ed.), Christoph Wiesner (ed.): After the Crisis

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

Afropunk Philology

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’”

“If I could have one selfish wish, it would be that I could sing or play an instrument. I played bass for eight years, and I suck. It just doesn’t work with my brain, but art always has.’”

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Current Texts

Zoran Terzić

Everything new is a pose in the alcoves of capital

In the post-avant-garde era we’re all either in the vanguard or asleep in the lap of capital. In this sense everybody is avant-garde—or nobody. OPEN
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Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem

Mehdi Belhaj Kacem looks back and ahead in the light of the spectacle of aesthetic capitalism, which has become even more unfettered since Debord’s death. ABO FR DE

Ines Kleesattel

Thérèse ayant douleurs menstruelles could be a beginning. OPEN
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Alexander García Düttmann

Can contemporary theatre recognize itself in the boxing ring so that its fist, the fist of the past, strikes a forceful and violent blow? ABO DE

Current Texts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

Evil
film d'auteur
film
contemporary art
cinema

Current Texts

Each showroom has a couple of “managers”.

Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him?

ABO DE