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Humanities

Of what can I be truly certain?
Of what can I be truly certain?

Jean Paul Mongin, François Schwoebel

Mister Descartes and his Evil Genius

Can one trust his senses when perceiving the outside world? When my sensations are the basis of my perception of my own existence, what if these sensations are to be doubted – what can the proof of my own existence be? These questions, both simple and profoundly undermining, stand at the beginning of Modernity: the philosophy of René Descartes. This book drags its readers – and musketeer-like Mister Descartes himself – into the adventure of thinking. It gives a lively...
  • certainty
  • epistemology
  • Descartes
  • young readers
  • thinking
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Current Texts
From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

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  • utopia
  • linguistics
  • communication
  • science fiction
  • semiotics and semiology
  • communication media

 

Topics
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • image and imagery
    • chromatics / colour science
    • color
    • monochrome
    • semiotics and semiology
  • Observing the Spectator

    Observing the Spectator

    • gaze
    • mirror
    • optical illusion
    • observer
  • Wissen-Nicht-Wissen

    Wissen-Nicht-Wissen

    • astonishment
    • poetics
    • idleness
    • literary studies
    • experiment
    • potentiality
    • history of knowledge
    • poetology of knowledge
    • ignorance and non-knowledge
    • epistemology
  • Autofiction—Metafiction

    Autofiction—Metafiction

    • autofiction
    • memory
    • fiction
    • Theory of fiction
    • autobiography

 

Media and Mathematics of Dynamic Networks
Media and Mathematics of Dynamic Networks

Tobias Harks (ed.), Sebastian Vehlken (ed.)

Neighborhood Technologies

Whether our contemporary society and culture may be characterized by a mere preoccupation with concepts of space or a predominant fixation on the dynamics of time – with the speculative power of world-wide financial markets and their respective financial tools (e.g., micro-trading) and the increasing penetration of scientific research by computational tools like computer simulations and their implications for a futurologic governmental style (e.g., in fields like climate research or pre-emption) as only two protruding pillars: The time-critical dynamics of...
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  • biology
  • algorithms
  • modeling
  • media technique
  • mathematics
Current Texts

Alexander García Düttmann

What does “emancipatory” mean today?

Pretending one more time that the world can still be saved and asking whether art contains an emancipatory potential can be a meaningful endeavour only if illegitimate attempts at appropriating this emancipatory potential are thwarted. Its usurpation, which amounts to its abolition, must be prevented. Critique that deserves its name must first and foremost struggle against false pretenders, not against those who do not even claim to be pretenders. The efficiency of critique’s propaedeutic character should be sought in this struggle against false pretenders. If one fears that its negativity may entail a dangerous impotence and if for this reason one wishes to supplement it with a justifying and constructive “affirmationism”, mindful of the fact that it was once meant to prepare the outline of a metaphysics purged of precritical dogmatism, then one risks forgetting that critique ceases to hurt and can no longer trigger an impulse the instant that...

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  • critical theory
  • political aesthetics
  • aesthetics
  • morals
  • contemporary art