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Humanities

A non-Western way of thinking
A non-Western way of thinking

Mario Schulze (ed.), Sarine Waltenspül (ed.)

String Figures

In recent years, string figures have gained prominence in cultural theory. Donna Haraway promotes string figures as a method of thinking and collaboration between both disciplines and species. Rather than the technicist and rigid metaphor of the network, Haraway’s string figures provide a playful, process-oriented, embodied, performative (and non-Western) mode of thought in which responsibility and collaboration are foregrounded.
  • ethnology
  • history of technology
  • game / play
  • theory construction
  • cultural history
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Topics
  • The Subject of Capitalism

    The Subject of Capitalism

    • migration
    • capitalism
    • subjectification
    • cognitive capital
  • minima oeconomica

    minima oeconomica

    Analysen und Kritik moderner Ökonomie, deren Wissenschaft und Legitmation im Zeitalter der Finanzialisierung

    • financial crisis
    • financial markets
    • economization
    • discourse history
    • economy
    • economics
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • image and imagery
    • color
    • semiotics and semiology
    • chromatics / colour science
    • monochrome
  • Observing the Spectator

    Observing the Spectator

    • gaze
    • optical illusion
    • mirror
    • observer
Current Texts

Andreas L. Hofbauer

The yoke of being, noteworthy dis-position

It wasn’t nature and its dangers that forced domestication and enabled the economic shrine. Temple and funerary cult, sacrifice and distribution of the meat—for Homer all sacrificial animals were still hieria, holy creatures—and the containment of wildness led to symbolic and socio-cultural change, which became the vector and motor of sedentary, food-producing communities. It wasn’t sheep, goats, or cattle that were domesticated first; it was the zoon logon echon itself that bowed to the self-created yoke of the cult. Why, we don’t know. Beyond this it’s important that unlike plants only very few species of animal can be domesticated, and that this shouldn’t be confused with taming. Economic significance develops as an epiphenomenon. It transforms from possible human sacrifice to animal sacrifice to the distribution of meat in early “Greek” antiquity, then to the obeloi (skewers with varying amounts of meat, as tokens for the priests’ or judges’ portion; even...

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  • anthropology
  • economization
  • money
  • ethnology
Current Texts

Marcus Quent

Belief in the world is what we most lack.

It was Gilles Deleuze who in various contexts underlined that what we most lacked was “belief in the world.” The odd remark appears, for example, in a conversation in 1990 with the Italian Marxist Antonio Negri about revolutionary emergence and the political force of minorities. In this dialogue Negri examines his interlocutor’s thought in the light of the “problem of the political,” which connects the various stages of the philosopher’s intellectual biography. Deleuze’s remark here is the reprise of a motif that would be familiar to readers of his second book on cinema, which appeared in 1985, in which Deleuze contends that the “power of modern cinema” is based on its ability to “give us back” our lost “belief in the world.”

At the end of the conversation Negri asks his dialogue partner about the possibility of present-day processes of subjectivization. After initially emphasizing the “rebellious spontaneity” of such processes, Deleuze...

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A praxeological history of the credit card
A praxeological history of the credit card

Sebastian Gießmann

Towards a Media History of the Credit Card

In every good American tale of entrepreneurship there is at least one hero, and an initial magical scene of invention has to be told. So it does not come as a surprise that the story of Diners Card as a New York neighborhood technology has been told as an anecdote ever since the 1950s. By now, we know that Frank MacNamara did not conceive of the idea while lacking the cash (or the wallet) to pay for his business dinner...
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  • credit
  • ethnomethodoloy
  • history of media
  • money
  • actor-network-theory