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Humanities

A dialogue that doesn’t cover up its traces
A dialogue that doesn’t cover up its traces

David Graeber

Anarchy—In a Manner of Speaking

There’s endless literature on the mob or “the madness of crowds”, and most people do assume that any kind of crowd is necessarily going to be, collectively, stupider than any one of the individuals that make it up. That’s why most people accept the legitimacy of authoritarian leadership. If this were really true, it stands to reason that if you took even any one random person out of the crowd and made that person dictator, the crowd would make better...
  • anarchy
  • political theory
  • resistance
  • community
  • anarchism
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Current Texts
From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

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  • linguistics
  • semiotics and semiology
  • utopia
  • science fiction
  • communication
  • communication media

 

Topics
  • Wissen-Nicht-Wissen

    Wissen-Nicht-Wissen

    • history of knowledge
    • poetics
    • experiment
    • potentiality
    • literary studies
    • idleness
    • astonishment
    • ignorance and non-knowledge
    • poetology of knowledge
    • epistemology
  • Autofiction—Metafiction

    Autofiction—Metafiction

    • memory
    • autofiction
    • autobiography
    • Theory of fiction
    • fiction
  • Observing the Spectator

    Observing the Spectator

    • gaze
    • optical illusion
    • observer
    • mirror
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • color
    • monochrome
    • chromatics / colour science
    • image and imagery
    • semiotics and semiology
Current Texts
Blood!

Ines Kleesattel

Blood!

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  • feminism
  • body
  • subjectification
  • painting
  • gender
  • art history
  • gaze

 

Photographs tend to suggest infinity
Photographs tend to suggest infinity

Siegfried Kracauer

The Photographic Approach (1951)

The photographic approach – that is, the effort to utilize the inherent abilities of the camera – is responsible for the particular nature of photographs. In the days of Zola and the Impressionists, the properties of photographs were commonly held to be the hallmarks of art in general; but no sooner did painting and literature break away from realism than these properties assumed an exclusive character. Since they depend upon techniques peculiar to the medium, they have remained stable throughout its evolution....
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  • History of photography
  • media theory
  • Siegfried Kracauer
  • photography
  • film
Current Texts

Alexander García Düttmann

What does “emancipatory” mean today?

Pretending one more time that the world can still be saved and asking whether art contains an emancipatory potential can be a meaningful endeavour only if illegitimate attempts at appropriating this emancipatory potential are thwarted. Its usurpation, which amounts to its abolition, must be prevented. Critique that deserves its name must first and foremost struggle against false pretenders, not against those who do not even claim to be pretenders. The efficiency of critique’s propaedeutic character should be sought in this struggle against false pretenders. If one fears that its negativity may entail a dangerous impotence and if for this reason one wishes to supplement it with a justifying and constructive “affirmationism”, mindful of the fact that it was once meant to prepare the outline of a metaphysics purged of precritical dogmatism, then one risks forgetting that critique ceases to hurt and can no longer trigger an impulse the instant that...

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  • political aesthetics
  • aesthetics
  • contemporary art
  • critical theory
  • morals