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Humanities

Marking the passage from misfortune to good luck
Marking the passage from misfortune to good luck

Elisabeth Bronfen

The Elevator—A Heteropia

An even more strikingly risky moment, which for Don anticipates both a personal and a professional crisis, occurs at the open door of an elevator in the fifth season. After Megan has confessed to him that she wants to stop working at the agency so as to fully concentrate on her acting career, he accompanies her to the elevator, where he takes leave of her by demonstratively giving her a passionate kiss before the door closes. Then, as though this...
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  • architecture
  • America
  • Labor
  • everyday life
  • 1960s
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Topics
  • minima oeconomica

    minima oeconomica

    Analysen und Kritik moderner Ökonomie, deren Wissenschaft und Legitmation im Zeitalter der Finanzialisierung

    • financial crisis
    • financial markets
    • economization
    • discourse history
    • economics
    • economy
  • Choreographing multitudes

    Choreographing multitudes

    • crowd
    • social networks
    • protest movements
    • social movements
    • crowd psychology
    • swarm model
  • Wissen-Nicht-Wissen

    Wissen-Nicht-Wissen

    • literary studies
    • experiment
    • epistemology
    • ignorance and non-knowledge
    • potentiality
    • astonishment
    • poetics
    • poetology of knowledge
    • idleness
    • history of knowledge
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • color
    • semiotics and semiology
    • monochrome
    • chromatics / colour science
    • image and imagery
Current Texts

Alexander García Düttmann

What does “emancipatory” mean today?

Pretending one more time that the world can still be saved and asking whether art contains an emancipatory potential can be a meaningful endeavour only if illegitimate attempts at appropriating this emancipatory potential are thwarted. Its usurpation, which amounts to its abolition, must be prevented. Critique that deserves its name must first and foremost struggle against false pretenders, not against those who do not even claim to be pretenders. The efficiency of critique’s propaedeutic character should be sought in this struggle against false pretenders. If one fears that its negativity may entail a dangerous impotence and if for this reason one wishes to supplement it with a justifying and constructive “affirmationism”, mindful of the fact that it was once meant to prepare the outline of a metaphysics purged of precritical dogmatism, then one risks forgetting that critique ceases to hurt and can no longer trigger an impulse the instant that...

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  • contemporary art
  • political aesthetics
  • critical theory
  • aesthetics
  • morals
Current Texts
Humanity is a metahuman concept.

Rolf Bossart, Milo Rau

Humanity is a metahuman concept.

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  • realism
  • artistic practice
  • art theory
  • re-enactment
  • postmodernism
  • transhumanism

 

A non-Western way of thinking
A non-Western way of thinking

Mario Schulze (ed.), Sarine Waltenspül (ed.)

String Figures

In recent years, string figures have gained prominence in cultural theory. Donna Haraway promotes string figures as a method of thinking and collaboration between both disciplines and species. Rather than the technicist and rigid metaphor of the network, Haraway’s string figures provide a playful, process-oriented, embodied, performative (and non-Western) mode of thought in which responsibility and collaboration are foregrounded.
  • ethnology
  • game / play
  • theory construction
  • history of technology
  • cultural history