User account

Humanities

»… Consistently Abused and Forced…«
»… Consistently Abused and Forced…«

Kati Kroß

Christoph Schlingensief's »Freakstars 3000«

When non-disabled artists such as Jérôme Bel or Christoph Schlingensief in their productions work with actors who, in hegemonic discourse, are referred to as disabled, they almost invariably face criticism over the exploitation and voyeuristic exhibition of these people. Bel’s Disabled Theater anticipated such reservations and took a good deal of wind out of its critics’ sails by having the performers themselves raise these issues on stage and report on their families’ reactions to the piece. Nevertheless, the question whether...
OPEN
ACCESS
  • Jérôme Bel
  • performing arts
  • identity
  • aesthetics
  • disability studies
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

OPEN
ACCESS
DE
Current Texts
From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

OPEN
ACCESS
  • semiotics and semiology
  • communication
  • communication media
  • science fiction
  • utopia
  • linguistics

 

Topics
  • Choreographing multitudes

    Choreographing multitudes

    • crowd psychology
    • crowd
    • protest movements
    • social movements
    • social networks
    • swarm model
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • chromatics / colour science
    • monochrome
    • image and imagery
    • color
    • semiotics and semiology
  • Wissen-Nicht-Wissen

    Wissen-Nicht-Wissen

    • potentiality
    • poetics
    • idleness
    • experiment
    • poetology of knowledge
    • history of knowledge
    • ignorance and non-knowledge
    • epistemology
    • literary studies
    • astonishment
  • THINK ART? THINK ART!
Current Texts
Humanity is a metahuman concept.

Rolf Bossart, Milo Rau

Humanity is a metahuman concept.

OPEN
ACCESS
DE
  • postmodernism
  • realism
  • transhumanism
  • artistic practice
  • re-enactment
  • art theory

 

Skin marks us in the world
Skin marks us in the world

Eduardo Jorge de Oliveira

Invented Skins

You never know how many skins you have had by having a single skin. However, this skin has an inseparable memory of the future. Its vital movement depends on this dynamic that inserts it in a specific present. Thus, if skin makes us human, it is also a set of points that mark different ways of feeling. We feel the world through the fragility of our skin. Microorganisms exist in this skin. The most human portion also contains inhuman matter...
  • Think Art
  • avant-garde
  • aesthetics
  • intertextuality
  • Brazil
Current Texts

Mengia Tschalaer

The sexual asylum story

Successful asylum claims generally require generating a racialist, colonialist discourse that impugns the nation-state from which the asylum seeker comes. While to impugn the asylum seeker’s place of origin may well be a necessity for the purpose of asylum, it is problematic if it serves to confirm the moral and political superiority of the West through the myth of the ideal victim. In order to avoid the cookie-cutter victimhood framework that refers to idealizations around “Us” and “Them,” Europe must adopt a reflexive approach to queer asylum that allows for recognizing its own stereotypes in regard to homosexuality, race, and gender, so as not to reproduce colonial and imperialistic narratives of vulnerability, sex, and desire through Eurocentric asylum regimes.

OPEN
ACCESS
DE
  • migration
  • performativity
  • identity
  • gender
  • queer theory