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Art

Sex creates love and love creates sex

Dennis Cooper, Donatien Grau, ...

"I’d rather live in a book"

“I don’t believe in progress, no.”

I think love can take care of itself. It can be a subject in your writing, but love is part of life and writing is part of life. They’re all intermingled. I don’t think there’s a big distinction. I don’t think there’s much of a distinction between love and sex either. Sex creates love and love creates sex.

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philology
music

Current Texts

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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Current Texts

Manuel Franquelo

Pioneering!

"Trying to compete in the economy of attention from the field of contemporary art is a naive goal in the twenty-first century."

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Current Texts

Artur Zmijewski

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

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propaganda
migration
National Socialism
documenta
Poland
concentration camp
contemporary art
political aesthetics
ethics
gift

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

THINK ART? THINK ART!

Monograph

Studien zur Bildlichkeit des Films

Filmbetrachtung hat es zunächst mit materiellen Sichtbarkeiten zu tun, mit Bildern, die dem Blick gegeben sind, bevor sie zu erzählen...

Fabienne Liptay

Telling Images

Anthology

Zur Kritik der Wirksamkeit in den Künsten

In den heutigen Praxistheorien spielen Dinge und ihre Materialität eine prominente Rolle. Dinge gelten als ausgesprochen wirkmächtig, insofern sie als...

Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)

Ausstellen

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Monograph

Über das Denken der Kunst

Von der Kunst als Forschung und der Forschung als Kunst ist spätestens seit den 1990er Jahren die Rede. Das Konzept sucht die Künste und Wissenschaften in ihrer Arbeitsweise einander anzunähern, doch wird dabei kaum die Frage gestellt, welche Art von Wissen die Künste im Unterschied zu den Wissenschaften hervorbringen. Dieter...

Dieter Mersch

Epistemologien des Ästhetischen

Topics

The Subject of Capitalism
- cognitive capital
- capitalism
- migration
- subjectification
Observing the Spectator
- observer
- optical illusion
- gaze
- mirror
Autofiction—Metafiction
- fiction
- autofiction
- autobiography
- memory
- Theory of fiction
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- chromatics / colour science
- monochrome
- color
- semiotics and semiology
- image and imagery

Current Texts

»This is not my blood.«

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west?

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identity
Video art
performance art
human–animal communication

Current Texts

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

Current Texts

Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
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When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

Books

Philippe Despoix (ed.), Siegfried Kracauer, ...: The Past's Threshold

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Georges Didi-Huberman, Laurent Mannoni, ...: Movements of Air

Dieter Mersch: Epistemologies of Aesthetics

Shusha Niederberger (ed.), Cornelia Sollfrank (ed.), ...: Aesthetics of the Commons

Eyal Weizman, Ines Weizman: Before & After

Empty Diagonal

Mehdi Belhaj Kacem, Antoine d’Agata

Diagonale du vide

A ghostly France: Emptiness and explosiveness behind the lines.

“If there is an artist capable of making these vacuums speak, it is d’Agata. To show what is not visible, to make present what can not be represented. There is a visual 'spectralism' about Antoine. It is about recording the spasms of humanity that is committing suicide, which has access to all the information needed to know what it is doing, and yet does nothing to revert the trend. We documented this suicide during a week of shared driving, of...

community
France
revolution
contemporary art
photography

Current Texts

Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem

Mehdi Belhaj Kacem looks back and ahead in the light of the spectacle of aesthetic capitalism, which has become even more unfettered since Debord’s death. ABO FR DE

Ines Kleesattel

Thérèse ayant douleurs menstruelles could be a beginning. OPEN
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Mehdi Belhaj Kacem, Philippe Sollers

Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era. ABO DE

Michael Heitz

The strongest current reflections on the power struggles raging beyond the pleasure principle. OPEN
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Current Texts

Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

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Current Texts

Alexander García Düttmann

What does “emancipatory” mean today?

Let us pretend one more time that the world can still be saved.

Pretending one more time that the world can still be saved and asking whether art contains an emancipatory potential can be a meaningful endeavour only if illegitimate attempts at appropriating this emancipatory potential are thwarted. Its usurpation, which amounts to its abolition, must be prevented. Critique that deserves its name must first and foremost struggle against false pretenders, not against those who do not even claim to be pretenders. The efficiency of critique’s propaedeutic character should be sought in this struggle against false pretenders. If one fears that its negativity may entail a dangerous impotence and if for this reason one wishes to supplement it with a justifying and constructive “affirmationism”, mindful of the fact that it was once meant to prepare the outline of a metaphysics purged of precritical dogmatism, then one risks forgetting that critique ceases to hurt and can no longer trigger an impulse the instant that...

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