Today, it has become a truism that capital circulates, that data, populations and materials flow, that money offers liquidity. These terms appear crucial for any description of our contemporary situation, whether in economics, media studies, or contemporary art. This book asks whether the preponderance of talk of flow, liquidity, and circulation is an expression of the cultural logic of today’s environmental capitalism.
It would be futile to resist the feeling that the marvelous curls of smoke, photographed by Étienne-Jules Marey between 1899 and 1901, first elicit from us. We have the impression of witnessing a pure beauty in the process of making, unmaking, and remaking itself incessantly before our eyes. It is a supreme flow—images of flow and a flow of images all at once—from which approximately fifty instants have been randomly “drawn,” all formed differently and likewise admirable. Such simple beauty...