User account

Humanities

Around a sculpture by Alberto Giacometti
Around a sculpture by Alberto Giacometti

Georges Didi-Huberman, Mira Fliescher (ed.), ...

The Cube and the Face

The Cube, as we can see, isn’t one. It is an ­irregular polyhedron which catalogues describe as having twelve sides — that nice figure, twelve, a destinal figure if ever there was one, which willfully evokes Mallarmé’s throw of the dice, at the very moment that the clock strikes twelve at midnight, in the dark house of Igitur. One can imagine that Giacometti wanted to give a unique volume to the twelve facets — six and six — of two cubes added together: a unique architecture...
  • face
  • abstract art
  • art theory
  • Alberto Giacometti
  • art history
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

OPEN
ACCESS
DE
Current Texts
From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

OPEN
ACCESS
  • science fiction
  • linguistics
  • communication
  • communication media
  • utopia
  • semiotics and semiology

 

Topics
  • Observing the Spectator

    Observing the Spectator

    • optical illusion
    • gaze
    • observer
    • mirror
  • The Subject of Capitalism

    The Subject of Capitalism

    • cognitive capital
    • capitalism
    • migration
    • subjectification
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • monochrome
    • image and imagery
    • semiotics and semiology
    • color
    • chromatics / colour science
  • Wissen-Nicht-Wissen

    Wissen-Nicht-Wissen

    • epistemology
    • history of knowledge
    • poetics
    • literary studies
    • poetology of knowledge
    • idleness
    • experiment
    • astonishment
    • ignorance and non-knowledge
    • potentiality
Current Texts

Andreas L. Hofbauer

The yoke of being, noteworthy dis-position

It wasn’t nature and its dangers that forced domestication and enabled the economic shrine. Temple and funerary cult, sacrifice and distribution of the meat—for Homer all sacrificial animals were still hieria, holy creatures—and the containment of wildness led to symbolic and socio-cultural change, which became the vector and motor of sedentary, food-producing communities. It wasn’t sheep, goats, or cattle that were domesticated first; it was the zoon logon echon itself that bowed to the self-created yoke of the cult. Why, we don’t know. Beyond this it’s important that unlike plants only very few species of animal can be domesticated, and that this shouldn’t be confused with taming. Economic significance develops as an epiphenomenon. It transforms from possible human sacrifice to animal sacrifice to the distribution of meat in early “Greek” antiquity, then to the obeloi (skewers with varying amounts of meat, as tokens for the priests’ or judges’ portion; even...

OPEN
ACCESS
DE
  • money
  • ethnology
  • economization
  • anthropology

 

Let’s find the stage of human affairs
Let’s find the stage of human affairs

Marion Muller-Colard, Clémence Pollet

Hannah Arendt's Little Theater

While about to finish her last book, the philosopher Hannah Arendt is disturbed by her stubborn alter ego, 9-year-old Little Hannah. Reluctantly, the old woman lets herself drag out onto the streets of New York and into constant conversation by the inquisitive little girl. They enter a little theatre, and together they watch mankind, society, politics, power evolve – and they also experience the role of Evil (in the person of a wolf and of numerous wooden puppets) and its...
  • ethics
  • acting
  • Evil
  • thinking
  • young readers