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Should we abandon the cosmopolitan idea?
Should we abandon the cosmopolitan idea?

Zairong Xiang (ed.)

minor cosmopolitan

Around the turn of the millennium, academics and politicians predicted that the world would grow together as one and that people would become less bound by national affiliations. Almost twenty years later, there is little left of this vision. This is not such a surprise when we consider that the cosmopolitan ideal (as articulated during the European Enlightenment) wholeheartedly embraced the promises of a globalising economy, yet has remained oblivious to, and even complicit with, capitalist exploitation, slavery, and colonialism....
  • cosmopolitics
  • globalization
  • politics
  • art theory
  • art
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Current Texts

Maria Filomena Molder

So many egoists call themselves artists…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

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Topics
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • semiotics and semiology
    • monochrome
    • image and imagery
    • color
    • chromatics / colour science
  • THINK ART? THINK ART!
  • Wissen-Nicht-Wissen

    Wissen-Nicht-Wissen

    • poetics
    • ignorance and non-knowledge
    • history of knowledge
    • experiment
    • literary studies
    • poetology of knowledge
    • potentiality
    • epistemology
    • idleness
    • astonishment
  • Choreographing multitudes

    Choreographing multitudes

    • swarm model
    • social movements
    • crowd psychology
    • protest movements
    • social networks
    • crowd

 

“Aboard ship! ye philosophers!”
“Aboard ship! ye philosophers!”

Wu Yi

The Sea as Mirror

A genealogy of philosophy in the form of a geology of the diluvial, so to speak. I’ve asked: how does the ocean, as a physical presence, a dynamic relationship, and an unsettling imaginary, challenge and reinvent philosophy as it understands itself to be and defines itself against? The method I’ve hitherto practiced is one simple and well-suited to the purpose: to de-sublimate and re-sublimate the variously over-sublimated layer of sense in philosophy with one’s own being, flesh and blood, and...
  • literary studies
  • history of philosophy
  • the sea