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A non-Western way of thinking
A non-Western way of thinking

Mario Schulze (ed.), Sarine Waltenspül (ed.)

String Figures

Stretched between eight fingers and two thumbs

In recent years, string figures have gained prominence in cultural theory. Donna Haraway promotes string figures as a method of thinking and collaboration between both disciplines and species. Rather than the technicist and rigid metaphor of the network, Haraway’s string figures provide a playful, process-oriented, embodied, performative (and non-Western) mode of thought in which responsibility and collaboration are foregrounded.
  • theory construction
  • ethnology
  • game / play
  • cultural history
  • history of technology
Current Texts
Il testo ignoto è una promessa

Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
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A for Anomie

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
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Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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Current Texts
Symbolical transplants are necessary

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR
Current Texts
About ‘how we treat the others’

Artur Zmijewski

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

OPEN
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  • documenta
  • migration
  • ethics
  • Poland
  • concentration camp
  • gift
  • National Socialism
  • political aesthetics
  • propaganda
  • contemporary art
Magazine Online
News + Events
ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

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Art, Magazine, Books

New releases
Rawi Hage: The Call
b€ 8,00 p€ 8,00
Madeleine Thien: The Artisans
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Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud
b€ 100,00
Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action
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Eyal Weizman, Ines Weizman: Before & After
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Thomas Köck: un gran casino (ta pissà adoss l’ürocc)
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THINK ART? THINK ART!

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Anthology

Zur Kritik der Wirksamkeit in den Künsten

In den heutigen Praxistheorien spielen Dinge und ihre Materialität eine prominente Rolle. Dinge gelten als ausgesprochen wirkmächtig, insofern sie als...

Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)

Ausstellen

Monograph

Über das Denken der Kunst

Von der Kunst als Forschung und der Forschung als Kunst ist spätestens seit den 1990er Jahren die Rede. Das Konzept sucht die Künste und Wissenschaften in ihrer Arbeitsweise einander anzunähern, doch wird dabei kaum die Frage gestellt, welche Art von Wissen die Künste im Unterschied zu den Wissenschaften hervorbringen. Dieter...

Dieter Mersch

Epistemologien des Ästhetischen

Topics
Current Texts
Capitalism sucks. Tag everything.

Dan-el Padilla Peralta

Capitalism sucks. Tag everything.

it seemed like we’d just been in some horrible dream

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Current Texts
When life’s hard, time’s a motherfucker going slow

Soham Gupta

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, ­Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

ABO DE FR
Current Texts
Why the Backwards Smile?

Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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»Self-censorship is the worst.«
»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE
Mama Say Make I Dey Go, She Dey My Back

Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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Books
Alena Lepishava (ed.), Zmicier Vishniou (ed.), ...: НЕТУТЭЙШЫЯ: REVERSION
b€ 25,00 p OA
Jens Andermann (ed.), Lisa Blackmore (ed.), ...: Natura: Environmental Aesthetics After Landscape
p€ 50,00
Antonin Artaud, Stephen Barber (ed.): “Here Lies” preceded by “The Indian Culture”
b€ 12,00 p€ 12,00
Wiktoria Furrer, Carla Gabrí, ...: How to Teach Art?
b€ 25,00 p€ 25,00
Luc Meresma: Natural Enemies
b€ 350,00
Daniel Berndt (ed.), Susanne Huber (ed.), ...: ambivalent work*s
b€ 35,00 p OA

 

The Dance of All Things
The Dance of All Things

Georges Didi-Huberman, Laurent Mannoni, ...

Movements of Air

“The excessive leaps of our gaseous form around a halt...”

It would be futile to resist the feeling that the marvelous curls of smoke, photographed by Étienne-Jules Marey between 1899 and 1901, first elicit from us. We have the impression of witnessing a pure beauty in the process of making, unmaking, and remaking itself incessantly before our eyes. It is a supreme flow—images of flow and a flow of images all at once—from which approximately fifty instants have been randomly “drawn,” all formed differently and likewise admirable. Such simple beauty...
  • photography
  • artistic research
  • history of media
  • History of photography
  • history of science
Current Texts
Each showroom has a couple of “managers”.
Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him? ABO DE
Ecstasy of inauthenticity

Tom McCarthy

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’. ABO DE
Saturnaaaaalia

Sina Dell’Anno

The rebellion of the signifiers against their semantic taming OPEN
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Current Texts
A coffin to bury the statues of the ­ancestors

Clémentine Deliss

A coffin to bury the statues of the ­ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

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  • colonialism
  • sculpture
  • contemporary art
  • colonial history
  • museum
  • Africa
Current Texts

Jean-Luc Nancy

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟

Etrange (غریب) در زبان فرانسوی از ریشه لاتین extraneus به معنای «خارجی» در برابر داخلی intraneus است. آنچه از خانه نیست unheimlich (امر غریب) از heim (خانه) نیست از منزل نیست در طرف دیگر دروازه fores است foreigner (خارجی)، خارج از ضرب و زیادی است odd (زاید) ناهنجار نامعمول نادر کمیاب تکی است seltsam (عجیب) عجیب و غریب besherat رشید ظریف پراوهام خمیده‌‌ verschroben (بد خو) خمیده شگفت‌ آور خارق‌ العاده حیرت‌ انگیز

غنای زبان امری غریب است در کلماتی که به نحوی حولِ مفهومِ غریبِ خارجی ausländer شکل گرفته اند خارج از کشور «هم‌‌ کشور ما» همانگونه  که پیش‌ تر در فرانسه می‌ گفتیم «این کشور من است» برای اشاره به کسی از روستای من محله‌ ی من استان من ولایت من

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Books
Marietta Kesting (ed.), Maria Muhle (ed.), ...: Hybrid Ecologies
p€ 30,00 b€ 30,00
Meena Kandasamy: A Wise One, a Warrior
b€ 12,00 p€ 12,00
Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action
b€ 45,00 p OA
Jens Andermann (ed.), Lisa Blackmore (ed.), ...: Natura: Environmental Aesthetics After Landscape
p€ 50,00
Sabine Gebhardt Fink (ed.), Andrej Mircev (ed.): Revolving Documents—Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art
b€ 40,00 p OA
DIAPHANES MAGAZINE No. 1
b€ 14,80 p€ 14,80