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Art
Camouflaged with a visual language
Malte Fabian Rauch
Where the Negative Holds Court
What Reena really wanted to know was why – in a night club, for example – do we chose, always and above all, that nothing happens?” Many ventured to explore this wasteland, our present, in recent years. But cartographing a void is delicate matter. It is a blank space; it demands new methods. Representation is not among them, having proved too imprecise an instrument. One group went further than most others: drawing lines, mapping grounds, testing waters. Their lines introduced...
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Current Texts
Monograph
Around a sculpture by Alberto Giacometti
Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)
The Cube and the Face
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Current Texts
Jelili Atiku, Damian Christinger
Mama Say Make I Dey Go, She Dey My Back
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Current Texts
A non-Western way of thinking
Mario Schulze (ed.), Sarine Waltenspül (ed.)
String Figures
In recent years, string figures have gained prominence in cultural theory. Donna Haraway promotes string figures as a method of thinking and collaboration between both disciplines and species. Rather than the technicist and rigid metaphor of the network, Haraway’s string figures provide a playful, process-oriented, embodied, performative (and non-Western) mode of thought in which responsibility and collaboration are foregrounded.
Current Texts
Mehdi Belhaj Kacem, Philippe Sollers
Like no other journal, Tel Quel was an outstanding arena of literary innovation and intellectual revolution. In this conversation its founder and publisher, Philippe Sollers, provides intimate insight and polemical hindsight into some of the most important milestones of its still-resonating era.
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