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Art

The Cultural Logic of Environmentalization

Mathias Denecke (ed.), Holger Kuhn (ed.), ...

Liquidity, Flows, Circulation

Today, it has become a truism that capital circulates, that data, populations and materials flow, that money offers liquidity.

Today, it has become a truism that capital circulates, that data, populations and materials flow, that money offers liquidity. These terms appear crucial for any description of our contemporary situation, whether in economics, media studies, or contemporary art. This book asks whether the preponderance of talk of flow, liquidity, and circulation is an expression of the cultural logic of today’s environmental capitalism.

digital media
capitalism
digital culture
art
cultural critic

Current Texts

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
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Current Texts

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

OPEN
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performance
Africa
feminism
ceremony
ritual
colonialism
body
spiritism

Current Texts

»This is not my blood.«

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west?

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identity
performance art
Video art
human–animal communication

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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Thomas Köck: un gran casino (ta pissà adoss l’ürocc)

THINK ART? THINK ART!

Monograph

Studien zur Bildlichkeit des Films

Filmbetrachtung hat es zunächst mit materiellen Sichtbarkeiten zu tun, mit Bildern, die dem Blick gegeben sind, bevor sie zu erzählen...

Fabienne Liptay

Telling Images

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Anthology

Zur Kritik der Wirksamkeit in den Künsten

In den heutigen Praxistheorien spielen Dinge und ihre Materialität eine prominente Rolle. Dinge gelten als ausgesprochen wirkmächtig, insofern sie als...

Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)

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Topics

Observing the Spectator
- mirror
- optical illusion
- gaze
- observer
Autofiction—Metafiction
- memory
- Theory of fiction
- autobiography
- fiction
- autofiction
The Subject of Capitalism
- capitalism
- cognitive capital
- migration
- subjectification
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- image and imagery
- semiotics and semiology
- color
- chromatics / colour science
- monochrome

Current Texts

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

Current Texts

Dan-el Padilla Peralta

Capitalism sucks. Tag everything.

it seemed like we’d just been in some horrible dream

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Current Texts

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
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A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
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Books

Eduardo Jorge de Oliveira: Invented Skins

Liliana Gómez (ed.), Fabienne Liptay (ed.): Eco-operations

Antonin Artaud, Stephen Barber (ed.): Watchfiends and Rack Screams

Maria Zinfert (ed.): Kracauer. Photographic Archive

Georges Didi-Huberman, Laurent Mannoni, ...: Movements of Air

Punk’s raptures are mystical.

Simon Critchley

Learning to Eat Time with One’s Ears

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer.

Philology often seems concerned with tracing origins and identifying true sources as a way of sweeping away the penumbrae of cultural ornamentation and exfoliating the accumulated dead skin of the past that hardens into decadence, at once institutional and intellectual. Its spirit is Lutheran, or Nietzschean, which amounts to the same thing when you think about it a little. So can it be with punk, which is usually reduced to a series of flattened clichés about bondage trousers, dyed hair...

ABO

Current Texts

Ines Kleesattel

Thérèse ayant douleurs menstruelles could be a beginning. OPEN
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Michael Heitz

The strongest current reflections on the power struggles raging beyond the pleasure principle. OPEN
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On the boundaries of what is permissible to show

Christian Beetz, Hendrik Rohlf

It became clear to me that it had become impossible to make a critical film about Apple. DE

Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem

Mehdi Belhaj Kacem looks back and ahead in the light of the spectacle of aesthetic capitalism, which has become even more unfettered since Debord’s death. ABO FR DE

Current Texts

Sandra Frimmel

Why should this be art?

What does it mean?

I Hate the Avant-Garde. When an artist as self-ironic and self-reflective as Yuri Albert makes such a statement about art, then skepticism is called for. Like his overall series Elitist-Democratic Art, the title deliberately plays with simple affirmations and negations, and at the same time exhibits the inherent receptive dilemma of the series: a (large) part of the artistically trained viewers see these shorthand works as abstract forms, without understanding the text, and only the few who can read (Russian) shorthand perceive a text, which for them doesn’t necessarily have to be art. I Hate the Avant-Garde was created in 2017, after a sketch made in 1987 in reaction to a changed situation in the reception of nonconformist art. With the beginning of perestroika, unofficial art that had hitherto been excluded from the state-run art scene—that is, from the official infrastructure of museums and exhibition spaces, and from art scholarship...

ABO DE