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Guy Debord was the avant-garde’s Christ.
Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem

Tomb for Guy Debord

Guy Debord was the avant-garde’s Christ. He was immolated by his own ideology, which he more than anyone (Tzara, Duchamp, Artaud, the Viennese Actionists…) had pushed to its extremes. He covered all of its possibilities, all of its impasses. His extreme attempts were neither successes, nor failures. Today, his path should be evaluated through other methods: the ones left to us in the wake of the avant-garde’s disappearance. To put it as Reiner Schürmann does: truth is a “conflictuality without agreements.”...
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Topics
  • minima oeconomica

    minima oeconomica

    Analysen und Kritik moderner Ökonomie, deren Wissenschaft und Legitmation im Zeitalter der Finanzialisierung

    • economy
    • financial markets
    • economization
    • economics
    • financial crisis
    • discourse history
  • Autofiction—Metafiction

    Autofiction—Metafiction

    • fiction
    • autofiction
    • Theory of fiction
    • memory
    • autobiography
Current Texts
Mama Say Make I Dey Go, She Dey My Back

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

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  • feminism
  • body
  • colonialism
  • Africa
  • spiritism
  • ceremony
  • ritual
  • performance

 

About ‘how we treat the others’
About ‘how we treat the others’

Artur Zmijewski

Conversation on “Glimpse”

Glimpse shows us scenes filmed in various places. How long did you stay at these places? Was it already known that Calais would be cleared when you started the project?   We spent more than one month filming in Berlin, Calais, Grande-Synthe (the suburb of Dunkirk), and Paris. Yes, it was announced that the French administration was going to “clear” the Jungle in Calais. It was also quite obvious that refugees would be removed from the streets of Paris. Such places, like...
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  • documenta
  • gift
  • contemporary art
  • ethics
  • concentration camp