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Art

Fragility is the only thing I really know about me

Claire Denis

“Fragility is the only thing I really know about me”

I am fragile and sad – almost as described in Triste Tropiques by Claude Lévi-Strauss.

I am not a very balanced person. I am fragile and sad – almost as described in Triste Tropiques by Claude Lévi-Strauss. I feel both those adjectives, I grew up with them. I was aware of my fragility even when I was very young – a baby, learning to walk, living somewhere in Africa and already feeling that the number of white persons was very small compared to the number of black persons and also noticing that most of the...

ABO DE

identity
autofiction
film d'auteur
subjectivity

Current Texts

Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
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»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Current Texts

Donatien Grau, James Spooner

“Fuck that thing.” That’s all punk needs.

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’”

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Current Texts

Dan-el Padilla Peralta

Capitalism sucks. Tag everything.

it seemed like we’d just been in some horrible dream

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Magazine Online

News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

After the Crisis<p>Launch at Yvon Lambert Bookshop, Paris

After the Crisis
Launch at Yvon Lambert Bookshop, Paris

New releases

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Thomas Köck: un gran casino (ta pissà adoss l’ürocc)

THINK ART? THINK ART!

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Monograph

Über das Denken der Kunst

Von der Kunst als Forschung und der Forschung als Kunst ist spätestens seit den 1990er Jahren die Rede. Das Konzept sucht die Künste und Wissenschaften in ihrer Arbeitsweise einander anzunähern, doch wird dabei kaum die Frage gestellt, welche Art von Wissen die Künste im Unterschied zu den Wissenschaften hervorbringen. Dieter...

Dieter Mersch

Epistemologien des Ästhetischen

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Topics

Color and meaning
Who is afraid of Red, Yellow, Blue…?
- image and imagery
- color
- semiotics and semiology
- monochrome
- chromatics / colour science
Observing the Spectator
- mirror
- gaze
- observer
- optical illusion
The Subject of Capitalism
- capitalism
- subjectification
- migration
- cognitive capital
Autofiction—Metafiction
- autobiography
- Theory of fiction
- memory
- autofiction
- fiction

Current Texts

Dennis Cooper, Donatien Grau, ...

Sex creates love and love creates sex

“I don’t believe in progress, no.”

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music
philology

Current Texts

Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

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When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
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Books

Mathias Denecke (ed.), Holger Kuhn (ed.), ...: Liquidity, Flows, Circulation

Philippe Despoix (ed.), Siegfried Kracauer, ...: The Past's Threshold

Alena Lepishava (ed.), Zmicier Vishniou (ed.), ...: НЕТУТЭЙШЫЯ: REVERSION

Jens Andermann (ed.), Lisa Blackmore (ed.), ...: Natura: Environmental Aesthetics After Landscape

Wiktoria Furrer, Carla Gabrí, ...: How to Teach Art?

Should we abandon the cosmopolitan idea?

Zairong Xiang (ed.)

minor cosmopolitan

minor cosmopolitan takes the “ism” out of “cosmopolitanism.”

Around the turn of the millennium, academics and politicians predicted that the world would grow together as one and that people would become less bound by national affiliations. Almost twenty years later, there is little left of this vision. This is not such a surprise when we consider that the cosmopolitan ideal (as articulated during the European Enlightenment) wholeheartedly embraced the promises of a globalising economy, yet has remained oblivious to, and even complicit with, capitalist exploitation, slavery, and colonialism....

globalization
art theory
politics
art
cosmopolitics

Current Texts

Ines Kleesattel

Thérèse ayant douleurs menstruelles could be a beginning. OPEN
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On the boundaries of what is permissible to show

Christian Beetz, Hendrik Rohlf

It became clear to me that it had become impossible to make a critical film about Apple. DE

Alexander García Düttmann

Can contemporary theatre recognize itself in the boxing ring so that its fist, the fist of the past, strikes a forceful and violent blow? ABO DE

Rolf Bossart, Milo Rau

We are bodies. It makes no sense to debate this. OPEN
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Current Texts

Eric Baudelaire

A for Anomie

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game.

A for Anomie

The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.

Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.

B for Block or Blocked

If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...

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