Books

Magazine

Topics

diaphanes Berlin

Info

Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

User account

Art

Jiji-Crycry

Antonin Artaud, Stephen Barber (ed.)

“Here Lies” preceded by “The Indian Culture”

Me, Antonin Artaud, I am my son, my father, my mother, and me.

The two poetic works collected together here as Here Lies preceded by Indian Culture were created as a partly improvised vocal performance dictated during one session on 25 November 1946, based on provisional notes, and transcribed by Artaud’s collaborator Paule Thévenin at Artaud’s pavilion in Ivry-sur-Seine. The two works together form one of the outstanding experiments of Artaud’s final period. Those two works were published in one volume in Paris on 20 January 1948 by the small poetry publisher K...

avant-garde
literature
poetry
drugs

Current Texts

Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
ACCESS DE FR

Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
ACCESS

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
ACCESS

Current Texts

Elena Vogman

Ornamentation is the body of our thought

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world.

OPEN
ACCESS

Current Texts

Soham Gupta

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

ABO DE FR

Magazine Online

News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Thomas Köck: un gran casino (ta pissà adoss l’ürocc)

THINK ART? THINK ART!

Monograph

Studien zur Bildlichkeit des Films

Filmbetrachtung hat es zunächst mit materiellen Sichtbarkeiten zu tun, mit Bildern, die dem Blick gegeben sind, bevor sie zu erzählen...

Fabienne Liptay

Telling Images

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Anthology

Zur Kritik der Wirksamkeit in den Künsten

In den heutigen Praxistheorien spielen Dinge und ihre Materialität eine prominente Rolle. Dinge gelten als ausgesprochen wirkmächtig, insofern sie als...

Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)

Ausstellen

Topics

Observing the Spectator
- optical illusion
- gaze
- observer
- mirror
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- image and imagery
- color
- monochrome
- semiotics and semiology
- chromatics / colour science
The Subject of Capitalism
- subjectification
- cognitive capital
- migration
- capitalism
Autofiction—Metafiction
- memory
- fiction
- autobiography
- Theory of fiction
- autofiction

Current Texts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

film d'auteur
film
cinema
Evil
contemporary art

Current Texts

Clémentine Deliss

A coffin to bury the statues of the ancestors

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo…

OPEN
ACCESS

contemporary art
colonialism
museum
Africa
sculpture
colonial history

Current Texts

Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
ACCESS

Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
ACCESS DE

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
ACCESS DE

Books

Antonin Artaud, Stephen Barber (ed.): A Sinister Assassin

Alex Arteaga (ed.): Architectures of Embodiment

Sabine Gebhardt Fink (ed.), Andrej Mircev (ed.): Revolving Documents—Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art

Sara Alonso Gómez (ed.), Isabel J. Piniella Grillet (ed.), ...: NO Rhetoric(s)

"Curriculum Vitae in Pictures“

Maria Zinfert (ed.)

Kracauer. Photographic Archive

The book tells the story of Lili and Siegfried Kracauer’s close working relationship – from the early 1930s following their marriage in Germany, to exile in Paris and the war and post-war years in the USA.

Kracauer. Photographic Archive presents largely unknown material from the estate of the German-American theorist of film and photography, Siegfried Kracauer and his wife and assistant Elisabeth, known as Lili. The single and group portraits, still lifes, street scenes and landscapes collected in this book all come from the estate of Siegfried Kracauer. Published here for the first time, they are an extensive and representative selection from the enlargements, contact sheets and rolls of film originally archived by Lili Kracauer. With...

archive
1930s
20th century
biography
1950s

Current Texts

Sylvia Sasse

“Lifestyle must conform to the above-named circles of persons or be easily adapted,” “artistic talent,” “strong general education.” OPEN
ACCESS DE

Part Dieu. The Painting of Francisco Sierra

Michael Heitz

You have to imagine Francisco Sierra as a cheerful painter. ABO DE

Alexander García Düttmann

What does “emancipatory” mean today?

Let us pretend one more time that the world can still be saved. ABO DE

Sina Dell’Anno

The rebellion of the signifiers against their semantic taming OPEN
ACCESS DE

Current Texts

Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

OPEN
ACCESS DE

Current Texts

Each showroom has a couple of “managers”.

Do I really know the person I’ve watched every day on screen for months? I know many things, like where he is, where he comes from, what his home looks like, when he gets up and sleeps, etc. But do I really know him?

ABO DE