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Jiji-Crycry

Antonin Artaud, Stephen Barber (ed.)

“Here Lies” preceded by “The Indian Culture”

Me, Antonin Artaud, I am my son, my father, my mother, and me.

The two poetic works collected together here as Here Lies preceded by Indian Culture were created as a partly improvised vocal performance dictated during one session on 25 November 1946, based on provisional notes, and transcribed by Artaud’s collaborator Paule Thévenin at Artaud’s pavilion in Ivry-sur-Seine. The two works together form one of the outstanding experiments of Artaud’s final period. Those two works were published in one volume in Paris on 20 January 1948 by the small poetry publisher K...

drugs
literature
avant-garde
poetry

Current Texts

When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

What Reena really wanted to know was why – in a night club, for example – do we chose, always and above all, that nothing happens?” ABO

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

Current Texts

Artur Zmijewski

About ‘how we treat the others’

“There is something deeply humiliating in such a situation.”

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ethics
migration
documenta
propaganda
gift
Poland
political aesthetics
contemporary art
concentration camp
National Socialism

Current Texts

Eric Baudelaire

A for Anomie

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game.

A for Anomie

The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.

Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.

B for Block or Blocked

If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...

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Magazine Online

News + Events

After the Crisis<p>Launch at Yvon Lambert Bookshop, Paris

After the Crisis
Launch at Yvon Lambert Bookshop, Paris

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

Eyal Weizman, Ines Weizman: Before & After

Thomas Köck: un gran casino (ta pissà adoss l’ürocc)

THINK ART? THINK ART!

Monograph

Studien zur Bildlichkeit des Films

Filmbetrachtung hat es zunächst mit materiellen Sichtbarkeiten zu tun, mit Bildern, die dem Blick gegeben sind, bevor sie zu erzählen...

Fabienne Liptay

Telling Images

Anthology

Zur Kritik der Wirksamkeit in den Künsten

In den heutigen Praxistheorien spielen Dinge und ihre Materialität eine prominente Rolle. Dinge gelten als ausgesprochen wirkmächtig, insofern sie als...

Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)

Ausstellen

Monograph

Über das Denken der Kunst

Von der Kunst als Forschung und der Forschung als Kunst ist spätestens seit den 1990er Jahren die Rede. Das Konzept sucht die Künste und Wissenschaften in ihrer Arbeitsweise einander anzunähern, doch wird dabei kaum die Frage gestellt, welche Art von Wissen die Künste im Unterschied zu den Wissenschaften hervorbringen. Dieter...

Dieter Mersch

Epistemologien des Ästhetischen

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Topics

Color and meaning
Who is afraid of Red, Yellow, Blue…?
- image and imagery
- semiotics and semiology
- chromatics / colour science
- color
- monochrome
The Subject of Capitalism
- migration
- subjectification
- cognitive capital
- capitalism
Observing the Spectator
- observer
- gaze
- optical illusion
- mirror
Autofiction—Metafiction
- autobiography
- autofiction
- Theory of fiction
- fiction
- memory

Current Texts

Dan-el Padilla Peralta

Capitalism sucks. Tag everything.

it seemed like we’d just been in some horrible dream

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Current Texts

Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

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Current Texts

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
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Books

Alex Arteaga (ed.): Architectures of Embodiment

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Daniel Berndt (ed.), Susanne Huber (ed.), ...: ambivalent work*s

Sabine Gebhardt Fink (ed.), Andrej Mircev (ed.): Revolving Documents—Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art

Antonin Artaud, Stephen Barber (ed.): “Here Lies” preceded by “The Indian Culture”

Political Reflections on Choreography, Dance and Protest 

Oliver Marchart

Dancing Politics

What happens when today’s sovereign, the people, start dancing publicly for reasons of protest?

The human body is the most important medium through which a public space is curved out of the social. Of course, this does not always have to occur in form of a militarized collective marching in-sync through the streets. Very often it is precisely the vulnerability of bodies which is used as a performative medium of protest (up to the extreme point where people decide to publicly set themselves on fire). Taking this word of caution into account, we may...

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