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Humanities

The Architecture of Disaster
The Architecture of Disaster

Ines Weizman, Eyal Weizman

Before & After

History is increasingly presented as a series of catastrophes. The most common mode of this presentation is the before-and-after image—a juxtaposition of two photographs of the same place, at different times, before and after an event has taken its toll. Buildings seen intact in a “before” photograph have been destroyed in the one “after.” Neighborhoods bustling with activity in one image are in ruins or under a layer of foulwater in the next. Deforestations, contaminations, melting icebergs and drying rivers...
  • war
  • photography
  • photographic images
  • History of photography
  • forensic science
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Current Texts
From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

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  • linguistics
  • communication media
  • utopia
  • communication
  • science fiction
  • semiotics and semiology

 

Topics
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • monochrome
    • chromatics / colour science
    • image and imagery
    • semiotics and semiology
    • color
  • THINK ART? THINK ART!
  • Autofiction—Metafiction

    Autofiction—Metafiction

    • memory
    • fiction
    • autobiography
    • autofiction
    • Theory of fiction
  • minima oeconomica

    minima oeconomica

    Analysen und Kritik moderner Ökonomie, deren Wissenschaft und Legitmation im Zeitalter der Finanzialisierung

    • economics
    • financial markets
    • financial crisis
    • economization
    • discourse history
    • economy
Current Texts
Humanity is a metahuman concept.

Rolf Bossart, Milo Rau

Humanity is a metahuman concept.

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  • transhumanism
  • postmodernism
  • artistic practice
  • realism
  • art theory
  • re-enactment

 

The world is all that is the case
The world is all that is the case

Françoise Armengaud, Annabelle Buxton

Wittgenstein’s Rhinoceros

The two young men meet up at the Cambridge railroad station. While waiting for the train, they browse the shelves of the station bookshop. All of a sudden, Wittgenstein grabs Pinsent’s arm: “Look at the title of this book!” “What a coincidence!” exclaims Pinsent, “It is perfect for you!” Both start to laugh. They purchase the novel of a famous English detective novelist entitled A Rhinoceros in the Library. Wittgenstein is very excited. “David, listen carefully,” he says to Pinsent. “I already have three things...
  • logics
  • young readers
  • thinking
  • Wittgenstein