I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Marie Glassl, Sophie Lewis
Surrogate Abolition
Sina Dell’Anno
Punk / Philology
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Mengia Tschalaer
Queer Spaces
Barbara Basting
Der Algorithmus und ich 7
Felix Stalder
Feedback as Authenticity
A. L. Kennedy
What is an Author?
Zoran Terzić
The Tautomaniac
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Sandra Frimmel
I Hate the Avant-garde
Barbara Basting
Der Algorithmus und ich 6
Barbara Basting
Der Algorithmus und ich 6
Barbara Basting
Der Algorithmus und ich 5
Ines Kleesattel
Art, Girls, and Aesthetic Freedom Down Below
Axel Dielmann
The Dressmaker
Barbara Basting
Der Algorithmus und ich 4
Joseph Morder
Une Trinite de la Memoire
Barbara Basting
Der Algorithmus und ich 7
Jean-Luc Nancy
Zah Zuh
Maria Filomena Molder
The Alms of Time
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Stephen Barber
A War of Fragments: World Versus America
Marcus Quent
Elapsing Time and Belief in the World
Alexander García Düttmann
Can There Be a Society Without Ceremony or the Critical Question of Theatre
Mário Gomes
The Poetics of Architecture
Diane Williams
Bang Bang on the Stair
Stephen Barber
Futurama Nights, October 1978
Tom Kummer
Questionnaire Tom Kummer
Barbara Basting
Der Algorithmus und ich 5
Donatien Grau, Pierre Guyotat
Conversation
Beni Bischof
LISTMANIA: BIG BUGS
Barbara Basting
Der Algorithmus und ich 6
¡ Wenn sie im Flugzeug freie Plätze sehen, dann nicht darum prügeln !
¡ Auf gar keinen Fall darf...
1. Tell the Earth, “I love you. I can’t live without you."
2. At first you may feel embarrassed...
Plörre
Smegma
Ohrwurm
Schlamassel
Kummerspeck
Weltschmerz
Gesöff
Fernweh
Lotterbett
Spelunke
Scharmützel
Donnerwetter
Schabracke
Mumpitz
Spatzenhirn
Lustmolch
Kaschemme
Spinatwachtel
Popanz
Not on any Knowlede’s service this register in progress seeks accumulating entries of imagenables: names, objects, imaginations… singularities, that neither have to be thought nor upon which must be speculated.
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
We are looking for relics of visions of the future in past image spaces, for the traces and signatures of something once imaginable and timelessly possible.
Following Georges Perec’s Memory 480: "I remember… (to be continued…)"…
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.