Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Marie Glassl, Sophie Lewis
Surrogate Abolition
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Sina Dell’Anno
Punk / Philology
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Donatien Grau
A Life in Philology
A. L. Kennedy
What is an Author?
Claire Fontaine
Towards a Theory of Magic Materialism
Mengia Tschalaer
Queer Spaces
Tom McCarthy
Toke My Asymptote – or, The Ecstatic Agony of Appearance
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Mehdi Belhaj Kacem
Tomb for Guy Debord
Zoran Terzić
The Tautomaniac
Malte Fabian Rauch
Where the Negative Holds Court
Barbara Basting
Der Algorithmus und ich 6
Hans Block, Moritz Riesewieck
What we don’t see
Michael Heitz
Wong Ping’s "Who’s the Daddy"
Lars von Trier in Conversation with Mehdi Belhaj Kacem & Raphaëlle Milone
Alexander García Düttmann
Cold Distance
Jean-Luc Nancy
Zah Zuh
Zoran Terzić
Political Transplants
Fritz Senn
Das Leben besteht aus gestrandeten Konjunktiven
Damian Christinger, Monica Ursina Jäger
Homeland Fictions
A.K. Kaiza
An Annotated History of Wakanda
Dieter Mersch
Digital Criticism
Elena Vogman
Dynamography, or Andrei Bely’s Rhythmic Gesture
Wolfgang Plöger
After This Comes That Before That Comes This
Stephen Barber
A War of Fragments: World Versus America
Marcus Quent
Elapsing Time and Belief in the World
Eric Baudelaire
Abecedarium
Ann Cotten
Dialogs
Diane Williams
Bang Bang on the Stair
Jurij Pavlovich Annenkov
A Diary of my Encounters
Mário Gomes
The Poetics of Architecture
Beni Bischof
LISTMANIA: BIG BUGS
Barbara Basting
Der Algorithmus und ich 4
Luc Meresma
Capt. Norman MacMillan (Book)
Barbara Basting
Der Algorithmus und ich 1
Der Titel ist Programm. Dieses »in der hauptsache von 1962 bis 1967« geschriebene Werk ist nicht nur ein megalomanisch zusammengeclustertes Durchverdauen der bewegenden Theorien der späten 60er Jahre (Linguistik, Kybernetik,...
The Three Marias is a highly interesting work of feminist literature, although it’s now largely forgotten outside of its native Portugal. In the early 70s, while the country was still...
In Jugoslawien wurde viel publiziert und wenig weggeworfen. So hatte man die Möglichkeit, in staatlichen Galerien und Museen Ausstellungskataloge und Kunstzeitschriften für Pfennige zu schießen. Einen besonderen Platz in meinem...
L’œuvre d'art n’a pas d’idée, elle est idée
We are looking for relics of visions of the future in past image spaces, for the traces and signatures of something once imaginable and timelessly possible.
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Vonceptually sensory bills of fare, enumerations and selections…
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.