I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Marie Glassl, Sophie Lewis
Surrogate Abolition
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Johanna Went
I remember (Johanna Went)
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Simon Critchley
Learning to Eat Time with One’s Ears
Felix Stalder
Feedback as Authenticity
A. L. Kennedy
What is an Author?
Zoran Terzić
The Grand Generalization
Mengia Tschalaer
Queer Spaces
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Zoran Terzić
The Tautomaniac
Mehdi Belhaj Kacem
Tomb for Guy Debord
Sandra Frimmel
I Hate the Avant-garde
Andreas L. Hofbauer
Yoke
Sina Dell’Anno
Oratio Soluta
Malte Fabian Rauch
Phenomena in Exile
Barbara Basting
Der Algorithmus und ich 7
Fritz Senn
Das Leben besteht aus gestrandeten Konjunktiven
Barbara Basting
Der Algorithmus und ich 5
Jean-Luc Nancy
Zah Zuh
Barbara Basting
Der Algorithmus und ich 4
Nicole Bachmann
Questionnaire Nicole Bachmann
Elena Vogman
Dynamography, or Andrei Bely’s Rhythmic Gesture
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Dietmar Dath
Your Sprache Never Was
Eric Baudelaire
Abecedarium
Bruce Bégout
The Man from Venice
Alexander García Düttmann
Can There Be a Society Without Ceremony or the Critical Question of Theatre
Ann Cotten
Dialogs
Diane Williams
Bang Bang on the Stair
Jean-Luc Nancy
Je me souviens (Jean-Luc Nancy)
Johanna Went
I remember (Johanna Went)
Barbara Basting
Der Algorithmus und ich 4
Oliver Hendricks
Human Oddities (Book)
Der Titel ist Programm. Dieses »in der hauptsache von 1962 bis 1967« geschriebene Werk ist nicht nur ein megalomanisch zusammengeclustertes Durchverdauen der bewegenden Theorien der späten 60er Jahre (Linguistik, Kybernetik,...
Capt. Norman Macmillan:
How to Pilot an Aeroplane,
George Allen & Unwin LTD: London 1942,
first edition, 110 pages
This book told me just what I had to know before...
Richard Prince: American English
Sadie Coles HQ/Verlag der Buchhandlung Walther König: London/Köln, 2003
Limited Edition, ohne Paginierung
Das Foto mit der Frau auf dem Fahrrad wiederholt sich auf der...
L’œuvre d'art n’a pas d’idée, elle est idée
Red oder Blue? Welche Götter? What’s wrong with reality? Nord oder Süd? Wie sterben? What is the problem with solutions?
Vonceptually sensory bills of fare, enumerations and selections…
Following Georges Perec’s Memory 480: "I remember… (to be continued…)"…
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.