Marie Glassl, Sophie Lewis
Surrogate Abolition
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Rudi Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Donatien Grau
A Life in Philology
Sina Dell’Anno
Punk / Philology
Felix Stalder
Feedback as Authenticity
A. L. Kennedy
What is an Author?
Claire Fontaine
Towards a Theory of Magic Materialism
Barbara Basting
Der Algorithmus und ich 7
Zoran Terzić
The Tautomaniac
Barbara Basting
Der Algorithmus und ich 6
Sandra Frimmel
I Hate the Avant-garde
Barbara Basting
Der Algorithmus und ich 7
Barbara Basting
Der Algorithmus und ich 8
Barbara Basting
Der Algorithmus und ich 6
Hans Block, Moritz Riesewieck
What we don’t see
Ines Kleesattel
Art, Girls, and Aesthetic Freedom Down Below
Barbara Basting
Der Algorithmus und ich 4
Jean-Luc Nancy
Zah Zuh
Helmut J. Schneider
How Distant Can My Neighbor be?
Jochen Thermann
The Assistant Chef
A.K. Kaiza
An Annotated History of Wakanda
Marcus Quent
Elapsing Time and Belief in the World
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Nicole Bachmann
Questionnaire Nicole Bachmann
Ann Cotten
Dialogs
Artur Zmijewski
Conversation on “Glimpse”
Bruce Bégout
The Man from Venice
Alexander García Düttmann
Can There Be a Society Without Ceremony or the Critical Question of Theatre
Diane Williams
Bang Bang on the Stair
Hendrik Rohlf
Richard Prince (Book)
Andreas Reihse
LISTMANIA: GUANAJUATONOVIEMBRE
The Three Marias is a highly interesting work of feminist literature, although it’s now largely forgotten outside of its native Portugal. In the early 70s, while the country was still...
Bearded Ladies, Dwarfs and Giants, Hermaphrodites, Siamese Twins (see Heng and Chang on the book cover), the Mule-headed Lady, The Serpent-Woman, The Amazing Half-Boy (famous for his appearance in Tod...
Andreas L. Hofbauer, René Luckhardt: HER
Wien: Der Konterfei 2015
limitierte Ausgabe, 50 Seiten
In einem Onlineforum, das sich mit dem Umzug ins 40 Lichtjahre von uns entfernte Planeten-system...
Vonceptually sensory bills of fare, enumerations and selections…
Red oder Blue? Welche Götter? What’s wrong with reality? Nord oder Süd? Wie sterben? What is the problem with solutions?
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
We are looking for relics of visions of the future in past image spaces, for the traces and signatures of something once imaginable and timelessly possible.
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.