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I remember . . . . . Michele Pedrazzi . The Next Bit. Corpo a corpo con l’ignoto . . . . . Behind the Great Firewall . . . . . Damian Christinger, Monica Ursina Jäger . Fiktionen von Heimat . . . . . Artificial and Other Intelligences . . . . . . . . . . Jochen Thermann . Der Hilfskoch . . . . . Maria Filomena Molder . The Alms of Time . . . . . Jean-Luc Nancy . Zah Zuh . . . . . Charlemagne Rides through Paris . . . . . Zoran Terzić . Political Transplants . . . . . Angelika Meier . Wer ich wirklich bin . . . . . Je me souviens . . . . . Honoré Daumier: Don Quixote lisant . . . . . Corona Park, Hub of theWorld . . . . . Barbara Basting . Der Algorithmus und ich 8 . . . . . Thomas Huber . Generation of the Lynn Hershman Antibody . . . . . Helmut J. Schneider . Wie fern darf der Nächste sein? . . . . . . Xenolinguistics . . . . . A.K. Kaiza . An Annotated History of Wakanda . . . . . Boutiques on the Bosporus . . . . . Slavs and Tatars . Reverse Joy . . . . . Jochen Thermann . L’aide-cuisinier . . . . . Damian Christinger, Monica Ursina Jäger . Homeland Fictions . . . . . Maria Filomena Molder . Die Almosen der Zeit . . . . . Jochen Thermann . The Assistant Chef . . . . . A.K. Kaiza . Eine kommentierte Geschichte Wakandas . . . . . Jean-Luc Nancy . Zah Zuh . . . . . Jean-Luc Nancy . Zah Zuh . . . . . Helmut J. Schneider . How Distant Can My Neighbor be? . . . . . Michele Pedrazzi . The Next Bit. Hautnah am Körper des Unbekannten . . . . . Jean-Luc Nancy . Zah Zuh . . . . . Slavs and Tatars . Reverse Joy . . . . . Zoran Terzić . Transplants politiques . . . . . Angelika Meier . Who I Really Am . . . . . Zoran Terzić . Politische Transplantate . . . . . Michele Pedrazzi . The Next Bit: un corps à corps avec l’inconnu

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We like !
DIAPHANES MAGAZINE No. 6/7
DIAPHANES MAGAZINE No. 5

Blood!

Ines Kleesattel

Art, Girls, and Aesthetic Freedom Down Below

DIAPHANES MAGAZINE No. 4

 

Materiality and corporeality

Kári Páll Óskarsson, 03.07.2017

The Three Marias is a highly interesting work of feminist literature, although it’s now largely forgotten outside of its native Portugal. In the early 70s, while the country was still...

Human Oddities

Oliver Hendricks, 11.04.2017

Bearded Ladies, Dwarfs and Giants, Hermaphrodites, Siamese Twins (see Heng and Chang on the book cover), the Mule-headed Lady, The Serpent-Woman, The Amazing Half-Boy (famous for his appearance in Tod...

HER

DJ Helioglobal, 11.04.2017

Andreas L. Hofbauer, René Luckhardt: HER
Wien: Der Konterfei 2015
limitierte Ausgabe, 50 Seiten

 

In einem Onlineforum, das sich mit dem Umzug ins 40 Lichtjahre von uns entfernte Planeten-system...

Other columns
  • LISTMANIA

    LISTMANIA

    Vonceptually sensory bills of fare, enumerations and selections…

  • Questionnaire

    Red oder Blue? Welche Götter? What’s wrong with reality? Nord oder Süd? Wie sterben? What is the problem with solutions?

  • John Donne’s Paradoxes and Problems

    John Donne’s Paradoxes and Problems

    …rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…

  • Future Pluperfect

    We are looking for relics of visions of the future in past image spaces, for the traces and signatures of something once imaginable and timelessly possible.

My language
English

Selected content
English

»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.


Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs marching. No, agallop: DELINE THE MARE.


Open your eyes now. I will. One moment. Has all vanished since? If I open and am for ever in the black adiaphane. BASTA! I will see if I can see.


See now. There all the time without you: and ever shall be, world without end.«


James Joyce

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