Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Marie Glassl, Sophie Lewis
Surrogate Abolition
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Sina Dell’Anno
Punk / Philology
Simon Critchley
Learning to Eat Time with One’s Ears
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Zoran Terzić
The Grand Generalization
Felix Stalder
Feedback as Authenticity
Claire Fontaine
Towards a Theory of Magic Materialism
Kai van Eikels
Do in What's Doing, Democracy in!
Sandra Frimmel
I Hate the Avant-garde
Mehdi Belhaj Kacem
Tomb for Guy Debord
Barbara Basting
Der Algorithmus und ich 6
Malte Fabian Rauch
Where the Negative Holds Court
Zoran Terzić
The Tautomaniac
Axel Dielmann
The Dressmaker
Alexander García Düttmann
Cold Distance
Hans Block, Moritz Riesewieck
What we don’t see
Ines Kleesattel
Art, Girls, and Aesthetic Freedom Down Below
Joseph Morder
Une Trinite de la Memoire
Damian Christinger, Monica Ursina Jäger
Homeland Fictions
Zoran Terzić
Political Transplants
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Dietmar Dath
Your Sprache Never Was
Barbara Basting
Der Algorithmus und ich 3
Artur Zmijewski
Conversation on “Glimpse”
Diane Williams
Bang Bang on the Stair
Mário Gomes
The Poetics of Architecture
Ann Cotten
Dialogs
K.A.
Hermal
Barbara Basting
Der Algorithmus und ich 1
John Donne
Paradox I
Donatien Grau, Pierre Guyotat
Conversation
Barbara Basting
Der Algorithmus und ich 4
The Three Marias is a highly interesting work of feminist literature, although it’s now largely forgotten outside of its native Portugal. In the early 70s, while the country was still...
In Jugoslawien wurde viel publiziert und wenig weggeworfen. So hatte man die Möglichkeit, in staatlichen Galerien und Museen Ausstellungskataloge und Kunstzeitschriften für Pfennige zu schießen. Einen besonderen Platz in meinem...
Bearded Ladies, Dwarfs and Giants, Hermaphrodites, Siamese Twins (see Heng and Chang on the book cover), the Mule-headed Lady, The Serpent-Woman, The Amazing Half-Boy (famous for his appearance in Tod...
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Not on any Knowlede’s service this register in progress seeks accumulating entries of imagenables: names, objects, imaginations… singularities, that neither have to be thought nor upon which must be speculated.
The post I’m now sharing was somewhat unsettling: “Barbara joined Facebook 6 years ago!”
We are looking for relics of visions of the future in past image spaces, for the traces and signatures of something once imaginable and timelessly possible.
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.