Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Marie Glassl, Sophie Lewis
Surrogate Abolition
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Johanna Went
I remember (Johanna Went)
Simon Critchley
Learning to Eat Time with One’s Ears
Donatien Grau, James Spooner
Afropunk Philology
A. L. Kennedy
What is an Author?
Tom McCarthy
Toke My Asymptote – or, The Ecstatic Agony of Appearance
Barbara Basting
Der Algorithmus und ich 7
Mengia Tschalaer
Queer Spaces
Malte Fabian Rauch
Where the Negative Holds Court
Mehdi Belhaj Kacem
Tomb for Guy Debord
Sandra Frimmel
I Hate the Avant-garde
Barbara Basting
Der Algorithmus und ich 6
Malte Fabian Rauch
Phenomena in Exile
Michael Heitz, Hendrik Rohlf
Uma’s Face—Thurman’s Voice
Johannes Binotto
Shrewing the Tame
Barbara Basting
Der Algorithmus und ich 6
Jean-Luc Nancy
Zah Zuh
Angelika Meier
Who I Really Am
Maria Filomena Molder
The Alms of Time
Joseph Morder
Une Trinite de la Memoire
A.K. Kaiza
An Annotated History of Wakanda
Dieter Mersch
Digital Criticism
Nicole Bachmann
Questionnaire Nicole Bachmann
Wolfgang Plöger
After This Comes That Before That Comes This
Mário Gomes
The Poetics of Architecture
Eric Baudelaire
Abecedarium
Alexander García Düttmann
Can There Be a Society Without Ceremony or the Critical Question of Theatre
Jurij Pavlovich Annenkov
A Diary of my Encounters
Oliver Hendricks
Human Oddities (Book)
Barbara Basting
Der Algorithmus und ich 1
Luc Meresma
Capt. Norman MacMillan (Book)
It may be due to the simple design of this dust jacket, which gives no indication of genre, and to...
The Nonexistent Giotto
A picture may announce the future not in the sense that it refers to any future events...
Although contemporaries attested Romantic qualities to François Gérard’s Belisar, it didn’t appeal to the arch-Romantic Delacroix: “The fortune of a...
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
L’œuvre d'art n’a pas d’idée, elle est idée
Not on any Knowlede’s service this register in progress seeks accumulating entries of imagenables: names, objects, imaginations… singularities, that neither have to be thought nor upon which must be speculated.
The post I’m now sharing was somewhat unsettling: “Barbara joined Facebook 6 years ago!”
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.