Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Marie Glassl, Sophie Lewis
Surrogate Abolition
Donatien Grau, James Spooner
Afropunk Philology
Simon Critchley
Learning to Eat Time with One’s Ears
Donatien Grau
A Life in Philology
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Claire Fontaine
Towards a Theory of Magic Materialism
Kai van Eikels
Do in What's Doing, Democracy in!
A. L. Kennedy
What is an Author?
Zoran Terzić
The Grand Generalization
Zoran Terzić
The Tautomaniac
Barbara Basting
Der Algorithmus und ich 6
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Michael Heitz, Hendrik Rohlf
Uma’s Face—Thurman’s Voice
Alexander García Düttmann
Cold Distance
Michael Heitz
Wong Ping’s "Who’s the Daddy"
Fritz Senn
Das Leben besteht aus gestrandeten Konjunktiven
Andreas L. Hofbauer
Yoke
Maria Filomena Molder
The Alms of Time
Barbara Basting
Der Algorithmus und ich 7
Zoran Terzić
Political Transplants
Barbara Basting
Der Algorithmus und ich 8
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Nicole Bachmann
Questionnaire Nicole Bachmann
Eric Baudelaire
Abecedarium
Tom Kummer
Questionnaire Tom Kummer
Artur Zmijewski
Conversation on “Glimpse”
Mário Gomes
The Poetics of Architecture
Peter Ott
The Monotheistic Cell Or Reports from Fiction
Tyler Coburn
Quaddie
K.A.
Hermal
Barbara Basting
Der Algorithmus und ich 4
It may be due to the simple design of this dust jacket, which gives no indication of genre, and to...
The Nonexistent Giotto
A picture may announce the future not in the sense that it refers to any future events...
Although contemporaries attested Romantic qualities to François Gérard’s Belisar, it didn’t appeal to the arch-Romantic Delacroix: “The fortune of a...
The post I’m now sharing was somewhat unsettling: “Barbara joined Facebook 6 years ago!”
Vonceptually sensory bills of fare, enumerations and selections…
Following Georges Perec’s Memory 480: "I remember… (to be continued…)"…
Raucous time capsules, rare jewels, and indispensable bulky goods from all epochs, languages, and genres.
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.