Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Marie Glassl, Sophie Lewis
Surrogate Abolition
Donatien Grau, James Spooner
Afropunk Philology
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Sina Dell’Anno
Punk / Philology
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Zoran Terzić
The Grand Generalization
Mengia Tschalaer
Queer Spaces
Tom McCarthy
Toke My Asymptote – or, The Ecstatic Agony of Appearance
A. L. Kennedy
What is an Author?
Mehdi Belhaj Kacem
Tomb for Guy Debord
Zoran Terzić
The Tautomaniac
Sandra Frimmel
I Hate the Avant-garde
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Ines Kleesattel
Art, Girls, and Aesthetic Freedom Down Below
Hans Block, Moritz Riesewieck
What we don’t see
Axel Dielmann
The Dressmaker
Michael Heitz, Hendrik Rohlf
Uma’s Face—Thurman’s Voice
Alexander García Düttmann
Cold Distance
Zoran Terzić
Political Transplants
Damian Christinger, Monica Ursina Jäger
Homeland Fictions
Jean-Luc Nancy
Zah Zuh
Helmut J. Schneider
How Distant Can My Neighbor be?
Marcus Quent
Elapsing Time and Belief in the World
Nicole Bachmann
Questionnaire Nicole Bachmann
Elena Vogman
Dynamography, or Andrei Bely’s Rhythmic Gesture
Jurij Pavlovich Annenkov
A Diary of my Encounters
Mário Gomes
The Poetics of Architecture
Tom Kummer
Questionnaire Tom Kummer
Artur Zmijewski
Conversation on “Glimpse”
Bruce Bégout
The Man from Venice
Hendrik Rohlf
Richard Prince (Book)
Beni Bischof
LISTMANIA: BIG BUGS
Dorothee Scheiffarth
THE MOST BEAUTIFUL CLOUD NAMES
Kommt ein Polizist zu einem Mann, der beschuldigt wird, seinen kleinen Sohn zu Tode geschüttelt zu haben. Wie ist denn das passiert?, will der Polizist wissen. So!, gibt der Mann...
Bearded Ladies, Dwarfs and Giants, Hermaphrodites, Siamese Twins (see Heng and Chang on the book cover), the Mule-headed Lady, The Serpent-Woman, The Amazing Half-Boy (famous for his appearance in Tod...
Andreas L. Hofbauer, René Luckhardt: HER
Wien: Der Konterfei 2015
limitierte Ausgabe, 50 Seiten
In einem Onlineforum, das sich mit dem Umzug ins 40 Lichtjahre von uns entfernte Planeten-system...
L’œuvre d'art n’a pas d’idée, elle est idée
The post I’m now sharing was somewhat unsettling: “Barbara joined Facebook 6 years ago!”
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Red oder Blue? Welche Götter? What’s wrong with reality? Nord oder Süd? Wie sterben? What is the problem with solutions?
Externalized memory had always proceeded by contractions, summaries, reductions, selections, breaks in flow, as well as by organization, classification, boiling down. Card catalogues reduced thousands of works to a few key notions; tables of contents contracted the hundreds of pages in a given book. The sign itself was the first abbreviation of experience. An epic stitched of words was an abbreviation of the war, the long years of which were reduced to a few nights of recitation; the written text that recorded the epic was a contraction of the oral narration which pushed aside its sensory richness, melody, life in a thousand details. In accumulating, every level of abbreviation reconstituted an infinite flow, a new dilation that would be contracted in its turn. From the plurality of pages to the index and the table of contents; from the plurality of books to card catalogues.
The abbreviated elements were further arranged, situated...
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.