I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Marie Glassl, Sophie Lewis
Surrogate Abolition
Johanna Went
I remember (Johanna Went)
Donatien Grau, James Spooner
Afropunk Philology
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Simon Critchley
Learning to Eat Time with One’s Ears
A. L. Kennedy
What is an Author?
Zoran Terzić
The Grand Generalization
Kai van Eikels
Do in What's Doing, Democracy in!
Tom McCarthy
Toke My Asymptote – or, The Ecstatic Agony of Appearance
Sandra Frimmel
I Hate the Avant-garde
Mehdi Belhaj Kacem
Tomb for Guy Debord
Malte Fabian Rauch
Where the Negative Holds Court
Zoran Terzić
The Tautomaniac
Ines Kleesattel
Art, Girls, and Aesthetic Freedom Down Below
Hans Block, Moritz Riesewieck
What we don’t see
Andreas L. Hofbauer
Yoke
Barbara Basting
Der Algorithmus und ich 5
Axel Dielmann
The Dressmaker
Barbara Basting
Der Algorithmus und ich 4
Jean-Luc Nancy
Zah Zuh
Jean-Luc Nancy
Zah Zuh
Barbara Basting
Der Algorithmus und ich 7
Angelika Meier
Who I Really Am
Barbara Basting
Der Algorithmus und ich 3
Dietmar Dath
Your Sprache Never Was
Marcus Quent
Elapsing Time and Belief in the World
Alexander García Düttmann
Can There Be a Society Without Ceremony or the Critical Question of Theatre
Artur Zmijewski
Conversation on “Glimpse”
Jurij Pavlovich Annenkov
A Diary of my Encounters
Diane Williams
Bang Bang on the Stair
Discoteca Flaming Star
Ich erinnere mich… (Discoteca Flaming Star)
Haus am Gern
L’œuvre d'art n’a pas d’idée, elle est idée (Blog1)
The Transversal Shelf of Printed Books in Times of Accelerated Opaque Media
Jean-Luc Nancy
Je me souviens (Jean-Luc Nancy)
Dorothee Scheiffarth
THE MOST BEAUTIFUL CLOUD NAMES
¡ Wenn sie im Flugzeug freie Plätze sehen, dann nicht darum prügeln !
¡ Auf gar keinen Fall darf...
Es sei uns gestattet, hier einmal sämtliche Gründe aufzuzählen, warum wir von Schach nichts halten.
1. Es ist ein...
Cumulus tuba ;
Cirrus cumulonimbogenitus ;
Wallcloud ;
Bannerwolke ;
Föhnfische ;
mother-of-pearl cloud ;
Altocumulus translucidus ;
Stratocumulus...
Raucous time capsules, rare jewels, and indispensable bulky goods from all epochs, languages, and genres.
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
Red oder Blue? Welche Götter? What’s wrong with reality? Nord oder Süd? Wie sterben? What is the problem with solutions?
The post I’m now sharing was somewhat unsettling: “Barbara joined Facebook 6 years ago!”
Externalized memory had always proceeded by contractions, summaries, reductions, selections, breaks in flow, as well as by organization, classification, boiling down. Card catalogues reduced thousands of works to a few key notions; tables of contents contracted the hundreds of pages in a given book. The sign itself was the first abbreviation of experience. An epic stitched of words was an abbreviation of the war, the long years of which were reduced to a few nights of recitation; the written text that recorded the epic was a contraction of the oral narration which pushed aside its sensory richness, melody, life in a thousand details. In accumulating, every level of abbreviation reconstituted an infinite flow, a new dilation that would be contracted in its turn. From the plurality of pages to the index and the table of contents; from the plurality of books to card catalogues.
The abbreviated elements were further arranged, situated...
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.