Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Marie Glassl, Sophie Lewis
Surrogate Abolition
I.V. Nuss
The Love in the Convex, in Absolute Roundness and the Sluttification of All Men West of the Bosporus
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Donatien Grau, James Spooner
Afropunk Philology
Simon Critchley
Learning to Eat Time with One’s Ears
Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Felix Stalder
Feedback as Authenticity
Barbara Basting
Der Algorithmus und ich 7
Zoran Terzić
The Grand Generalization
Kai van Eikels
Do in What's Doing, Democracy in!
Mehdi Belhaj Kacem, Philippe Sollers
What is the Meaning of the Avant-garde’s Death?
Zoran Terzić
The Tautomaniac
Mehdi Belhaj Kacem
Tomb for Guy Debord
Michael Heitz
Wong Ping’s "Who’s the Daddy"
Barbara Basting
Der Algorithmus und ich 7
Sina Dell’Anno
Oratio Soluta
Barbara Basting
Der Algorithmus und ich 5
Hans Block, Moritz Riesewieck
What we don’t see
Barbara Basting
Der Algorithmus und ich 7
Barbara Basting
Der Algorithmus und ich 5
A.K. Kaiza
An Annotated History of Wakanda
Maria Filomena Molder
The Alms of Time
Dietmar Dath
Your Sprache Never Was
Emma Waltraud Howes
Questionnaire Emma Waltraud Howes
Marcus Quent
Elapsing Time and Belief in the World
Eric Baudelaire
Abecedarium
Ann Cotten
Dialogs
Artur Zmijewski
Conversation on “Glimpse”
Tom Kummer
Questionnaire Tom Kummer
Mário Gomes
The Poetics of Architecture
Jean-Luc Nancy
Je me souviens (Jean-Luc Nancy)
Hendrik Rohlf
Richard Prince (Book)
Aya Momose
Questionnaire Aya Momose
Haus am Gern
L’œuvre d'art n’a pas d’idée, elle est idée (Blog1)
I remember during the frozen Tokyo winter of 1997: I took long walks in the dead of night through the...
Ich erinnere mich an mein Exemplar von Alles kurz und klein, das weg ist, verschwunden! – wer erinnert sich, es...
A Little Paris Nightmare
I loved Paris, even as a little boy, long before I lived there. I was like Pinocchio wandering about in some strange Land of Toys. I...
Vonceptually sensory bills of fare, enumerations and selections…
Red oder Blue? Welche Götter? What’s wrong with reality? Nord oder Süd? Wie sterben? What is the problem with solutions?
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
The post I’m now sharing was somewhat unsettling: “Barbara joined Facebook 6 years ago!”
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.