Dan-el Padilla Peralta
Junk Philology. An Anti-Commentary
Donatien Grau, James Spooner
Afropunk Philology
Dennis Cooper, Donatien Grau, Richard Hell
"I’d rather live in a book"
Kai van Eikels
Do in What's Doing, Democracy in!
Zoran Terzić
The Grand Generalization
Felix Stalder
Feedback as Authenticity
Barbara Basting
Der Algorithmus und ich 7
A. L. Kennedy
What is an Author?
Sandra Frimmel
I Hate the Avant-garde
Mehdi Belhaj Kacem
Tomb for Guy Debord
Zoran Terzić
The Tautomaniac
Hans Block, Moritz Riesewieck
What we don’t see
Michael Heitz
Wong Ping’s "Who’s the Daddy"
Malte Fabian Rauch
Phenomena in Exile
Alexander García Düttmann
Cold Distance
Barbara Basting
Der Algorithmus und ich 7
Angelika Meier
Who I Really Am
Zoran Terzić
Political Transplants
Barbara Basting
Der Algorithmus und ich 4
Damian Christinger, Monica Ursina Jäger
Homeland Fictions
Dietmar Dath
Your Sprache Never Was
Stephen Barber
A War of Fragments: World Versus America
Marcus Quent
Elapsing Time and Belief in the World
Bruce Bégout
The Man from Venice
Ann Cotten
Dialogs
Jurij Pavlovich Annenkov
A Diary of my Encounters
Mário Gomes
The Poetics of Architecture
Artur Zmijewski
Conversation on “Glimpse”
Barbara Basting
Der Algorithmus und ich 6
Barbara Basting
Der Algorithmus und ich 2
Donatien Grau, Pierre Guyotat
Conversation
Discoteca Flaming Star
Ich erinnere mich… (Discoteca Flaming Star)
Oliver Hendricks
Human Oddities (Book)
Der Titel ist Programm. Dieses »in der hauptsache von 1962 bis 1967« geschriebene Werk ist nicht nur ein megalomanisch zusammengeclustertes Durchverdauen der bewegenden Theorien der späten 60er Jahre (Linguistik, Kybernetik,...
The Three Marias is a highly interesting work of feminist literature, although it’s now largely forgotten outside of its native Portugal. In the early 70s, while the country was still...
Bearded Ladies, Dwarfs and Giants, Hermaphrodites, Siamese Twins (see Heng and Chang on the book cover), the Mule-headed Lady, The Serpent-Woman, The Amazing Half-Boy (famous for his appearance in Tod...
L’œuvre d'art n’a pas d’idée, elle est idée
Red oder Blue? Welche Götter? What’s wrong with reality? Nord oder Süd? Wie sterben? What is the problem with solutions?
Not on any Knowlede’s service this register in progress seeks accumulating entries of imagenables: names, objects, imaginations… singularities, that neither have to be thought nor upon which must be speculated.
…rather alarms, to truth to arm her than enemies, and they have only this advantage to scape from being called ill things, that they are nothings…
My language
English
Selected content
English
»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
marching. No, agallop: DELINE THE MARE.
Open your eyes now. I will. One moment. Has all vanished since?
If I open and am for ever in the black adiaphane. BASTA! I will see
if I can see.
See now. There all the time without you: and ever shall be, world
without end.«
James Joyce
Dire works on the bogus regime—not just of art—but endowed with wit, beauty and irresistible fetish character.