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Mário Gomes . Brandsatz & Ästhetik . . . . . Hermal . . . . . 12 Feb 2011 — 12 Feb 2017 . . . . . Barbara Basting — The Algorithm and I . . . . . This is not your blood. . . . . . Pierre Guyotat . Unabhängigkeit . . . . . Facebook’s Just a Nail Studio . . . . . Quaddie . . . . . How to Pilot an Aeroplane . . . . . Paradox I: That all things kill themselves . . . . . L’œuvre d'art n’a pas d’idée, elle est idée . . . . . Donatien Grau, Pierre Guyotat . Conversation . . . . . Tyler Coburn . Ergonomic Futures . . . . . Je me souviens… . . . . . I remember . . . . . Michael Heitz . Noch ein neuer Gott in Teilen . . . . . LISTMANIA . . . . . The Transversal Shelf of Printed Books in Times of Accelerated Opaque Media . . . . . Exodus. Gods and Kings . . . . . Self-portrait . . . . . THE MOST BEAUTIFUL CLOUD NAMES . . . . . Ute Holl . Dream, Clouds, Off, Exile . . . . . HER . . . . . Mike Wilson . Rockabilly . . . . . I remember . . . . . BIG BUGS . . . . . Behind the Great Firewall . . . . . China frisst Menschen . . . . . Boutiques on the Bosporus . . . . . Marcus Quent . Ohne Halt . . . . . Pierre Guyotat . The Prison . . . . . Artificial and Other Intelligences . . . . . GUANAJUATONOVIEMBRE . . . . . Charlemagne Rides through Paris . . . . . Ich erinnere mich… . . . . . Human Oddities . . . . . ABT. DIE DUEMMSTEN BERLINER FRISÖRNAMEN . . . . . I remember… . . . . . Peter Ott . Die monotheistische Zelle oder Berichte aus der Fiktion . . . . . Custom Creates Law . . . . . American English . . . . . Problem IX: Warum haben Hurenkinder das allermeiste Glück? . . . . . 12 May 2011 – 12 May 2017: On Non-Digital Storage Media . . . . . TWELVE DRUMMERS DRUMMING . . . . . Peter Ott . The Monotheistic Cell Or Reports from Fiction . . . . . Mike Wilson . Rockabilly . . . . . Marcus Quent . No Respite . . . . . Julien Maret . IN EXTREMIS . . . . . Michael Heitz . Another New God in Parts

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DIAPHANES MAGAZINE No. 4
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DIAPHANES MAGAZINE No. 2

 

Other columns
  • I remember

    I remember

    Following Georges Perec’s Memory 480: "I remember… (to be continued…)"…

  • Barbara Basting — The Algorithm and I

    Barbara Basting — The Algorithm and I

    The post I’m now sharing was somewhat unsettling: “Barbara joined Facebook 6 years ago!”

  • FICTIONARY

    FICTIONARY

    Not on any Knowlede’s service this register in progress seeks accumulating entries of imagenables: names, objects, imaginations… singularities, that neither have to be thought nor upon which must be speculated.

  • Future Pluperfect

    We are looking for relics of visions of the future in past image spaces, for the traces and signatures of something once imaginable and timelessly possible.

Magazine Special

Ute Holl

Dream, Clouds, Off, Exile

OPEN
ACCESS
  • exile
  • monotheism
  • communism
  • Karl Marx
  • film

My language
English

Selected content
English

»Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.


Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs marching. No, agallop: DELINE THE MARE.


Open your eyes now. I will. One moment. Has all vanished since? If I open and am for ever in the black adiaphane. BASTA! I will see if I can see.


See now. There all the time without you: and ever shall be, world without end.«


James Joyce

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