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Humanities

Let’s find the stage of human affairs
Let’s find the stage of human affairs

Marion Muller-Colard, Clémence Pollet

Hannah Arendt's Little Theater

While about to finish her last book, the philosopher Hannah Arendt is disturbed by her stubborn alter ego, 9-year-old Little Hannah. Reluctantly, the old woman lets herself drag out onto the streets of New York and into constant conversation by the inquisitive little girl. They enter a little theatre, and together they watch mankind, society, politics, power evolve – and they also experience the role of Evil (in the person of a wolf and of numerous wooden puppets) and its...
  • Evil
  • young readers
  • acting
  • thinking
  • ethics
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Current Texts
From xenolinguistics to cephalo­pods

From xenolinguistics to cephalo­pods

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  • linguistics
  • semiotics and semiology
  • communication media
  • communication
  • science fiction
  • utopia

 

Topics
  • Color and meaning

    Color and meaning

    Who is afraid of Red, Yellow, Blue…?

    • color
    • image and imagery
    • monochrome
    • chromatics / colour science
    • semiotics and semiology
  • minima oeconomica

    minima oeconomica

    Analysen und Kritik moderner Ökonomie, deren Wissenschaft und Legitmation im Zeitalter der Finanzialisierung

    • financial crisis
    • discourse history
    • economics
    • economy
    • financial markets
    • economization
  • Observing the Spectator

    Observing the Spectator

    • mirror
    • gaze
    • observer
    • optical illusion
  • THINK ART? THINK ART!
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Humanity is a metahuman concept.

Rolf Bossart, Milo Rau

Humanity is a metahuman concept.

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  • artistic practice
  • postmodernism
  • realism
  • transhumanism
  • art theory
  • re-enactment

 

The world is all that is the case
The world is all that is the case

Françoise Armengaud, Annabelle Buxton

Wittgenstein’s Rhinoceros

The two young men meet up at the Cambridge railroad station. While waiting for the train, they browse the shelves of the station bookshop. All of a sudden, Wittgenstein grabs Pinsent’s arm: “Look at the title of this book!” “What a coincidence!” exclaims Pinsent, “It is perfect for you!” Both start to laugh. They purchase the novel of a famous English detective novelist entitled A Rhinoceros in the Library. Wittgenstein is very excited. “David, listen carefully,” he says to Pinsent. “I already have three things...
  • Wittgenstein
  • young readers
  • logics
  • thinking
Current Texts

Marcus Quent

Belief in the world is what we most lack.

It was Gilles Deleuze who in various contexts underlined that what we most lacked was “belief in the world.” The odd remark appears, for example, in a conversation in 1990 with the Italian Marxist Antonio Negri about revolutionary emergence and the political force of minorities. In this dialogue Negri examines his interlocutor’s thought in the light of the “problem of the political,” which connects the various stages of the philosopher’s intellectual biography. Deleuze’s remark here is the reprise of a motif that would be familiar to readers of his second book on cinema, which appeared in 1985, in which Deleuze contends that the “power of modern cinema” is based on its ability to “give us back” our lost “belief in the world.”

At the end of the conversation Negri asks his dialogue partner about the possibility of present-day processes of subjectivization. After initially emphasizing the “rebellious spontaneity” of such processes, Deleuze...

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