Books

Magazine

Topics

diaphanes Berlin

Info

Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

User account

Arts

Matrices porteuses – Surrogacies

This issue explores practices of human and non-human substitution.

motherhood
contemporary art
mother figure
poetry
gender
body

Fiction

Why this past? Why is this past mine? A past which I did not even know? 

Born too late to see the war, too soon to forget it. Rocked by events which I didn’t experience.

youth
memory
past
1968
homosexuality
post-war period
migration
National Socialism
post-war generation
trauma
emigration
identity
childhood
autobiography
primal scene

Discourse

Mehdi Belhaj Kacem, Antoine d’Agata

Empty Diagonal

A ghostly France: Emptiness and explosiveness behind the lines.

community
contemporary art
France
photography
revolution
social movements

Humanities

The biggest bite out of the fruit of Knowledge

“To refuse to think without immediately thinking that it is man who is thinking.”

epistemology
media theory
regulation
theory construction
computational sciences
media studies
history of science
history of technology
historic documents
history of knowledge
computer science
sociology
mathematics
Cybernetics

Magazine

Surrogacies

Myths and visions of motherhood and fathering, brings together artistic and theoretical positions on reproduction and communication, gender and genus, addressing and conception.

body
motherhood
queer theory
feminism
mother figure
aesthetics
gender
contemporary art
father figure

Magazine Online

News + Events

diaphanes_net

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Marcia Sá Cavalcante Schuback (ed.), David Payne (ed.): Breaking Grounds

Hans-Jörg Rheinberger: In Touch: Encounters between Art and Research

Hauke Branding (ed.), Julian Volz (ed.): Radical Desires

Kevin B. Lee (ed.): The Future of Survival

THINK ART? THINK ART!

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Article

“Obsessed with buffering”

I’ve become obsessed with buffering—or the narrator in my new novel is obsessed with buffering. He’s an anthropologist who has grown up reading Lévi-Strauss but he’s also a corporate anthropologist who is working for the Man. He’s putting culture in the service of capital. Like we all do, he spends... ABO

Tom McCarthy

“Obsessed with buffering”

Article

I’m not really sure what is and what isn’t theory.

Elisabeth Bronfen Tom, our idea here was that you would give us a little insight into how you find your themes, how you use theory for your texts. T.MC. I’m not really sure what is and what isn’t theory. I don’t really know where theory stops and fiction begins. If you take someone... ABO

Tom McCarthy

“Something that is not nothing”

Monograph

“Obsessed with buffering”

In this essay, based on a talk he gave in Zurich, award-winning British novelist Tom McCarthy ("Remainder", "C", "Satin Island")... ABO

Tom McCarthy

Recessional—Or, the Time of the Hammer

So many egoists call themselves artists…

Words are human things; a great obscurity saturates them…

“So many egoists call themselves artists,” Rimbaud wrote to Paul Demeny on May 15, 1871. Even though that is not always obvious, ‘I’, the first person, is the most unknown person, a mystery that is constantly moving towards the other two, the second and third persons, a series of unfoldings and smatterings that eventually gelled as ‘Je est un autre’. That is why ‘apocryphal’ is a literarily irrelevant concept and ‘pseudo’ a symptom, the very proof that life, writing, is made up of echoes, which means that intrusions and thefts (Borges also discusses them) will always be the daily bread of those who write.

Words from others, words taken out of place and mutilated: here are the alms of time, that squanderer’s sole kindness. And so many others, mostly others who wrote, and many other pages, all of them apocryphal, all of them echoes, reflections. All this flows together into—two centuries...

OPEN
ACCESS DE

Current Texts

Donatien Grau, Pierre Guyotat

To lay a hand on the shoulder of future victims…

»By using voices I have rediscovered what we call humanity.«

OPEN
ACCESS

Current Texts

Maël Renouard

On Memory Atrophy

How can we remember the way we used to remember? OPEN
ACCESS

Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
ACCESS DE

Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
ACCESS

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
ACCESS

Arts

Pioneering!

Manuel Franquelo

An interview with Manuel Franquelo

"Trying to compete in the economy of attention from the field of contemporary art is a naive goal in the twenty-first century."

There are almost no publications about him, for a painting he takes a whole year, for his photographic works he develops the hardware himself, and the software along with it, and he has only exhibited twice in his entire career. The trained engineer is involved in large projects on facsimileing and 3D reproduction for museums, but his skill is largely applied to his own slowly and brilliantly developing work. Manuel Franquelo is an artist of unusual radicalism, both in the autonomy...

OPEN
ACCESS DE

Arts

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
ACCESS

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
ACCESS

Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
ACCESS DE

Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Arts

Donatien Grau, James Spooner

“Fuck that thing.” That’s all punk needs.

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’”

OPEN
ACCESS

Arts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

Evil
contemporary art
film d'auteur
cinema
film

Authors

Books

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...: On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

Liliana Gómez (ed.), Fabienne Liptay (ed.): Eco-operations

Daniel Berndt (ed.), Susanne Huber (ed.), ...: ambivalent work*s

Sabine Gebhardt Fink (ed.), Andrej Mircev (ed.): Revolving Documents—Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art

Marietta Kesting (ed.), Susanne Witzgall (ed.): Human after Man

Fiction

All that pent up terror and rage

Dodie Bellamy

Plague Widow

A stupid tweet by a nobody, meant as a parody, somehow goes viral and the internet offers up death threats.

Driving to the Castro, Bee Reaved feels hyper emotional, as she often does in the car, Nick Cave’s Ghosteen on repeat, and she thinks—this is what it’s like to live without hope. Six months after Kevin’s death, friends left her to fare for herself. Other widows warned her this would happen, that everybody would disappear before she was ready. One widow she no longer talks to said, “Wait and see, you’re going to have a total breakdown.” Now, with the...

OPEN
ACCESS

Fiction

Jean-Luc Nancy

غریبه‌ها غریبه‌ها

ازخودبیگانه‌ ها راه‌ گم‌کرده‌ ها از کدامین اصل نامرئی؟ OPEN
ACCESS FR GR DE

Johannes Binotto

Where words are uttered, the taming is shrewed. OPEN
ACCESS DE

Tom McCarthy

The ironic self-awareness of the poet can only be that of his own inauthenticity, repeated or fed back into itself at increasingly conscious levels, and ‘to know inauthenticity is not the same as to be authentic’. ABO DE

I.V. Nuss

The seahorse is the chosen metaphor for pregnant trans men ABO DE

Fiction

Pierre Guyotat

The matrix for »Tombeau pour cinq cent mille soldats«

“This text was written at the end of 1962, after my return from Algeria. For me the text is the matrix for Tombeau pour cinq cent mille soldats.” P.G.

OPEN
ACCESS

war experience
war

Fiction

A. L. Kennedy

Upending meanings and rewriting sanity

When it all burns you’ll know – a writer was there at the first…

ABO DE FR

Authors

Books

Yann Le Bras, Jean Paul Mongin: The Death of Socrates

Antonin Artaud, Stephen Barber (ed.): The Human Face and Other Writings on His Drawings

Yan Marchand, Vincent Sorel: Diogenes the Dog-Man

Allison Grimaldi Donahue: The History of Breathing

Miriam Henke, Jérôme Meyer-Bisch: Lao-Tzu, or the Way of the Dragon

Maria Zinfert (ed.): Kracauer. Photographic Archive

Discourse

Digital disrupture

Dieter Mersch

Digital Criticism

The machine remains alien to any mechanical limitation.

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result...

OPEN
ACCESS DE

Discourse

Sina Dell’Anno

“He always read Priam instead of ‘prime’.” OPEN
ACCESS DE

Ute Holl

“Communism will be when we understand something of love.” OPEN
ACCESS

Would communication beyond the semiosphere be conceivable? OPEN
ACCESS

Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
ACCESS DE

Discourse

Tyler Coburn

The future has never looked older

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall.

ABO

Discourse

Jurij Pavlovich Annenkov

Hurrah!

We rehearsed the crowd scenes in the Winter Palace, in the Throne Room and the Armorial Hall.

ABO

Authors

Books

Erich Hörl (ed.), Nelly Y. Pinkrah (ed.), ...: Critique and the Digital

Antonin Artaud, Stephen Barber (ed.): Artaud 1937 Apocalypse

Maria Zinfert (ed.): Kracauer. Fotoarchiv

Philippe Despoix (ed.), Siegfried Kracauer, ...: The Past's Threshold

Humanities

Haifa’s architectural modernism

Ines Weizman

The Architectural Casino

Ines Weizman synchronises different narratives that have been swept away by the chaotic hurricanes of time.

The Bat Galim Casino marks the point of connection for stories whose threads run along intercontinental channels to the French-American performer Joséphine Baker, while another narrative thread follows the hearing-impaired Viennese architect Adolf Loos and some of his clients, who emigrated to Haifa, highlighting the story of how home-sick migrants aimed to recreate a piece of Europe in Palestine. Weizmans encounter with architect and filmmaker Amos Gitai leads to a deeper investigation of the story of his father, Munio Weinraub,...

Middle East
history of architecture
Israel
memory

Humanities

Zoran Terzić

The programs “sense” how the clients function, but not because AI is becoming more human—rather because clients now function as generically as programs. OPEN
ACCESS DE

Alexander García Düttmann

Can contemporary theatre recognize itself in the boxing ring so that its fist, the fist of the past, strikes a forceful and violent blow? ABO DE

Ines Kleesattel

Thérèse ayant douleurs menstruelles could be a beginning. OPEN
ACCESS DE

Sandra Frimmel

What does it mean? ABO DE

Humanities

Nothing is at home

Philosophy is found wanting. It is considered anachronistic, some say dead. The tradition is in ruins.

ABO

art theory
Modernism
aesthetics
art
phenomenology

Humanities

Mehdi Belhaj Kacem

Guy Debord was the avant-garde’s Christ.

Mehdi Belhaj Kacem looks back and ahead in the light of the spectacle of aesthetic capitalism, which has become even more unfettered since Debord’s death.

ABO FR DE

Authors